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1 ) 還行
編劇其實也還可以，就是商業(yè)化得不夠些
表演不錯，表情和心理把握還是很到位的
場面，老實說這么簡單的劇情可以拍成這樣也算可以的了，幾處關(guān)鍵橋段氣氛處理得很贊
音效，音效不錯，唐從機(jī)場來的那段印象極為深刻
這不是一部適合大多數(shù)人看的片子，有些個性
2 ) 抱著肩膀，按著身體，堅持看完。
連無聊的消遣影片都不算。
。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。
3 ) 頭盤兒
第八屆黑眼圈電影節(jié)在這個特殊的年景比較早的開幕了，第一觀影日為我們帶來的是英國導(dǎo)演喬納森.?格雷澤的《性感野獸》。 片子一開始很有地中海風(fēng)情的，非常適合我們這個在暑期開幕的非主流電影節(jié)的時間節(jié)點，作為開場小菜，就憑片頭和開始一段基本完成了他作為開幕影片的作用。 開頭兒的地中海風(fēng)情再加上這個片名，我以為這片子要走熱帶風(fēng)情性感大趴體的路線（這也是我們特別期待看到的）。不過后面情節(jié)顯然也證明了黑眼圈電影節(jié)選片的調(diào)性注定不會那么可愛的乏味。感情這片子是一反高潮的非主流黑幫片，片名“性感野獸”斷句兒不是你想當(dāng)然的“性感的野獸”，而是“性感和野獸”，或者是“一點兒也不性感倒霉催的曾經(jīng)的野獸”。 片子用大篇幅描寫了搪瓷盆洗手的前江洋大盜怎么憋憋屈屈的又被拉下水的故事。黑幫傳話人本?金斯利表演奔放，令人印象深刻。故事刻意把怎么被拉下水作為重點的安排也很有意思，緊張感制造的不錯，讓我想起了福爾摩斯探案集中的《四簽名》。兩個女演員風(fēng)韻猶存，也是片中亮色。不過總體來講要是推薦的話我更推薦格雷澤的另一個片子《重生》。 開胃小菜表現(xiàn)尚可，清涼爽口為后面的片子打打底也挺好。拍黃瓜怎么就不能當(dāng)頭盤兒上，畢竟人家可沒擱芝麻醬，而是點了幾滴芥末油兒給你端上來的……
2020.7.15
4 ) 真tmd棒的英腔~~~
每一段對話都相當(dāng)?shù)慕o勁~~~
開篇從天而降的石頭拍的就相當(dāng)有水準(zhǔn)~~~
幕后花絮說，唐就是要演一枚戰(zhàn)斧式巡航導(dǎo)彈，穩(wěn)準(zhǔn)狠，直接，威力大……
他還沒有出場，已然把這四個不是善茬的人嚇得不輕~~~
更厲害的那個黑幫大佬，走在街上你都不會看他第二眼的大金牙的范兒，可是翻臉無情心狠手辣果敢決斷~~~就像一只野獸，隨時給人致命一擊~~~
從頭到尾都在給男主角捏一把汗，覺得他斷無幸免和生機(jī)……
贊啊~~~
5 ) [Last Film I Watched] Sexy Beast (2000)
Title: Sexy Beast
Year: 2000
Country: UK, Spain
Language: English, Spanish
Genre: Crime, Thriller
Director: Jonathan Glazer
Writers:
Louis Mellis
David Scinto
Music: Roque Ba?os
Cinematography: Ivan Bird
Cast:
Ray Winstone
Ben Kingsley
Ian McShane
Amanda Redman
Cavan Kendall
James Fox
Julianne White
álvaro Monje
Rating: 7.4/10
Let’s assume you are a casting director, there are two roles: one is Gal, a retired safe-cracker enjoying the life of Riley in a beatific villa in Spain with his wife and friends; and the other is his former criminal associate Don Logan, a browbeating, invective-pelting psychopath who wills to recruit him to a new job and will not take no for answer. Then you are given two candidates: Mr. Gandhi himself, Sir. Ben Kingsley and a bovver heavy Ray Winstone, the choice is rather self-evident.
However, that is not the case for UK scenester Jonathan Glazer when he begins to work on his feature film debut SEXY BEAST, who does the obverse, fingers Mr. Winstone for the hapless Gal and Mr. Kingsley for the rivetingly menacing Don Logan, a delectable volte-face rewardingly earns him an Oscar nomination, meantime, Winstone also magnificently brings about an incarnation very different from his usual image, a rough diamond type, graced by the lovey-dovey intimacy between him and his wife DeeDee Dove (Redman), an erstwhile porn star.
It is a taut iteration in the UK gangster genre, the story is nothing too sparkling, it is Glazer's swift and impressive execution takes the full credit. The harbinger arrives in its opening, a boulder falls right in into the swimming pool of Gal’s villa (which betrays a sloppy CGI burnished effort), while he is sunbathing under the blistering heat, this portends an impending threat which will disrupt the placidity and imperil those who cannot get away, Don Logan is coming to visit, and he will not be in a pleasant mood if he knows that Gal determines to decline his very generous offer. So sparks fly, but not without a droll war of (swearing) words and things will inevitably get physical, Kingsley’s intimidating presence deviously pays off the looming dread simply elicited by the mention of his name, and after an ironical turn of events, he does manage to press-gang Gal into partaking in the action however reluctant he is, to break into a bank vault via water pressure, The suspense isn’t swelling during the action, but after, when the head of the criminals, Teddy Bass (McShane, another great villain, less showier but infallibly lethal), a character turns out to be far more ruthless than Don Logan, bluffly tells Gal that “he knows what they did in Spain” and promises he will come to visit in the due future. Well, why there isn’t a sequel to this?
Parlaying his reputation as an eclectic music video director into this breakout debut, Glazer has concocted up a stunning-looking fare seeped with robust characterization, pulsating rhythm of montage, scintillating chromatic disposition and optimal pop taste, ultimately transmogrified it into a beguiling conglomerate ofromanticism, perversity absurdity and bloody gallows humor like an arch cautionary take:there is no easy way of going straight, so think twice before you get your feet wet!
ps. accompany pieces: Glazer’s UNDER THE SKIN (2013, 8.2/10); Guy Ritchie’s LOCK, STOCK AND TWO SMOKING BARRELS (1998, 7.9/10), SNATCH (2000, 7.1/10).
6 ) 熱帶中心的西西弗斯
像這樣的作品，你很容易把它歸類為爛片。可是，隨著欣賞角度的不同，電影所呈現(xiàn)的感覺也會發(fā)生變化。在影片里，身處西班牙猶如身處熱帶中心，人的精神狀態(tài)被逼向極端，而在偏離常規(guī)之后，在這股耐人尋味的炎熱里，它不自然地就散發(fā)了另一種獨特的魅力，哪怕這種風(fēng)格帶著失敗的味道，致幻度也還是很高，適合大量運動之后伴隨大量刺激性食物及廉價香煙使用。
確實是不同于那些流俗的犯罪電影，它聚集于前半段，實施竊案并非重點，反而將視覺放在“說服舊搭檔再次實施犯罪”的段落里。普通的盜竊類犯罪電影只是將這個過程放在影片開頭，再長也不過20分鐘，然而，這個編劇卻特立獨行，將常規(guī)的局部片段化作他的全部表達(dá)。于是，不同以往，觀眾在此看到了“犯罪電影類型”的另一面，那是漫長的拉鋸，是互相的磨蝕，是無法拒絕的焦慮，是大范圍炙熱里的一滴汗。
待全片結(jié)束之后，我又突然想起了影片的開頭：山上的某塊巨石滑落，剛好飛過他的頭頂，砸向他的泳池。這時我才發(fā)現(xiàn)了那個在故事開始就被注入的完美象征：西西弗斯的巨石落在了他的頭上，他自然要承擔(dān)西西弗斯的宿命。想退出，在拒絕，但不斷被“唐”這個角色（就是他要說服“我”參與下一場犯罪）所化身的夢魘要挾，他告知“我”：你不能逃脫你現(xiàn)在想脫離的犯罪生活。遠(yuǎn)離并沒有那么容易。這里還不能成為你的藏身之處。除非死亡，否則西班牙就不是你認(rèn)為的天堂。
在這個象征之后，就是剛剛所講的互相拉鋸了，“我”的精神狀態(tài)逐漸被逼向極端，身體變成了熱帶的身體，一場炎熱在局部內(nèi)醞釀，波動在看似無實際意義的對話上鋪開，壞情緒則不停聚攏。戲外的我已經(jīng)體驗到燒灼感了。
而按照這種表達(dá)，在我看來，自“唐”被一槍打死之后，影片就該結(jié)束了。導(dǎo)演沒有必要非得向觀眾呈現(xiàn)一個無法選擇之人的最后位置，這樣的位置不該有，即便有，也應(yīng)該是呈現(xiàn)一種幻覺中的徒然，否則導(dǎo)演將親手打破他栽種于影片開頭的那個神話。
認(rèn)知命運既然是電影所要表達(dá)的主題，更深刻的結(jié)尾應(yīng)當(dāng)就是“我”終于知道了“我”是西西弗斯。換句話說，在和夢魘拉鋸數(shù)日之后，“我”既然已深知自己是熱帶中心的西西弗斯，就不應(yīng)該強(qiáng)求“你”再給“我”寫上一個新的結(jié)局。
各種經(jīng)驗告訴我們，認(rèn)知是導(dǎo)致改變的前提條件，首要得認(rèn)知，然后才會有改變。這沒有錯，可是，我們又都常常忽略了這么一點，實際上，開頭的自我認(rèn)知往往要比日后的自我改變還要困難。
這部電影本來是有可能做到這個程度的：刪去各種形容詞之后，再去照鏡子，面對自己，我們將看到什么?？上?，導(dǎo)演最終沒能完成這樣的表達(dá)。在影片后段，它還是走上了另一條流俗的道路，而在那之后，觀眾所看到的熱帶也不過是尋常的熱帶風(fēng)景罷了。
7 ) 風(fēng)格化的電影
Ex-con and expert safe-cracker Gary "Gal" Dove has served his time behind bars and blissfully retired to a Spanish villa with his beloved wife Deedee. He also has the company of longtime friend Aitch and his wife Jackie. Their idyll is shattered, however, by the arrival of an old criminal associate, the sociopathic Don Logan, who is intent on enlisting Gal in a bank heist back in London.
Dove politely but firmly refuses Logan's many requests to join the heist, but Logan will not back down. After revealing a lingering infatuation with Jackie, he makes several unwelcome attempts at reconnecting with her. Logan eventually grows violent, hurling torrents of abuse at the group while at the same time spitefully painting himself as a victim of their infidelity. After finally storming away in a rage, Logan is kicked off his plane and returns to Dove's home with the intention of murdering him. Instead, Deedee surprises him with a shotgun. The entire group combines their efforts, first beating and shooting him, and finally crushing his skull.
With Logan dead, Dove is forced to return to London to perform the job as if nothing has happened. Teddy Bass, a powerful crime lord, has organised the heist after learning about the bank from Harry, a banker who had sex with him at an orgy. Dove feigns ignorance over Logan's whereabouts, but Bass is immediately suspicious. Dove now fears both getting arrested by the police and being murdered by Bass. Since Logan's arrival, Dove's anxiety has manifested in strange dreams where he is menaced by a humanoid rabbit, which echoes a disastrous hunting trip earlier in the film.
During the heist, Bass' gangsters use surface-supplied diving gear and drill into Harry's bank vault from a pool in a neighbouring bath house. The water from the pool floods the vault and shorts its security system. While helping to empty the vault's safe deposit boxes, Dove secretly pockets a pair of large ruby with diamond earrings. After the job is successfully completed, Bass forces Dove, who is unaware of Bass's intentions, to accompany him to kill Harry at Harry's house. Though Bass has realised the truth about Logan's murder, he does not care enough to retaliate by killing Dove. Instead, he forces Dove to forfeit his share of the loot and banishes him from London.
Dove returns safely home and his paradise is restored. Deedee wears the diamond earrings that he stole, and it is revealed that Logan is buried under the double-heart insignia at the bottom of their pool, which had been damaged by a falling boulder just prior to his arrival.
8 ) 太難看了
花費了太多的時間在描述一些莫名其妙的對話
還要強(qiáng)烈BS下這個電影的名字，簡直害人不淺
年紀(jì)大了就不要攪基了
沖著劇情來的可以略過了，本片只適合鏡頭控和演技控影迷觀看，本·金斯利一個人提高全片檔次，演得是真好，據(jù)說其他演員都怕自己的表演被他比下去，而事實也的確如此。全片每個角色都偏冷靜，只有Don是最神經(jīng)的，自然也就搶眼了許多，沒有他的部分則有些平淡。故事很簡單，但也算得上有趣，劫金庫的段落還影響了后來的神作GTA5。
本片獲第74屆奧斯卡最佳男配角提名。要不是不時地冒出一些無厘頭的幽默，真的很難把影片堅持看完。影片是典型的文不對題，標(biāo)題與影片內(nèi)容沒有半點關(guān)系。
神馬啊~！故弄玄虛半天，，還以為有神馬爆點呢。。。結(jié)果弄這么個破故事，還能拍出部電影？你太給黑幫片丟臉了~~~~不過這種形式感不錯。。。只是沒有故事性。。
不知所云——
山坡落石砸泳池驚艷開場，中段嘮叨啰嗦，提供兩大實力男星大飆演技空間，臺詞也還算有趣，然后就泄氣了。。。套路般的爆竊，無聊無稽的結(jié)尾。。。
這才是我的型，夠短夠簡單，Ben Kingsley帥呆，ray叔還是很可愛><
冥冥中的偶然，時空交錯的隧道，看似突如其來的，實則命中注定。格雷澤也是拍一種電影的人，如同鮑姆巴赫，非常獨立與堅持。預(yù)見《皮囊之下》將是一頭完美的性感野獸！
ben kingsley萌翻了；砸墻需要對人選精挑細(xì)選嗎？
也就用來學(xué)學(xué)英國臟話....
What's the fucking ending？What's the fucking title？？What a fucking freak??！and all speaking the funny English?。?/p>
define SEXY 張狂的剪輯鏡頭色彩最適合黑幫 看似荒誕的生活段落只是冰山一角 一切都不放在眼里最后張狂地往心魔臉上吐口水 所有元素能上升到之后的皮囊之下 太驚人了
裝腔作勢...注意結(jié)尾還真有個beast
兩個主演太棒了，電影是部短小精悍的英式黑幫片，從頭到尾的臟話．．．
陽光下曝曬的男人肉體。。。
對Ben Kingley 連續(xù)罵N個fucking的那段臺詞太有記憶了...... bloody hell... the accent is just too sexy
Let's have a big round of applause for BEN KINGSLEY! Such a damn hot f**king tough! 黑幫西西弗斯，偷天換日卻盜不回金盆洗手后的西班牙悠長假日。格雷澤的反類型處理是如此輕盈熟稔，對話密度之大、節(jié)奏之爽利，令人難以想象他日后會拍出《皮囊之下》這種黑洞般沉默而迷人的作品。不過可以看到，從首作開始，他就已經(jīng)喜歡把謎底寫在開頭了。滾落的巨石砸出塵封的心魔，簡單的象征域，映射成人世界無法擺脫的危險渴求。
人物陷入一種莫名其妙的癲狂，導(dǎo)演應(yīng)該是MV出身幾段音樂和交差剪輯做的不錯，故事做的很單薄。
開始的大石頭還蠻吸引我的
看男人罵罵咧咧，看男人犯罪盜竊，看男男女女曬太陽，故事簡單，氛圍獨特，節(jié)奏了得。