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沃倫(2016) 劇照 NO.1沃倫(2016) 劇照 NO.2沃倫(2016) 劇照 NO.3沃倫(2016) 劇照 NO.4沃倫(2016) 劇照 NO.5沃倫(2016) 劇照 NO.6沃倫(2016) 劇照 NO.13沃倫(2016) 劇照 NO.14沃倫(2016) 劇照 NO.15沃倫(2016) 劇照 NO.16沃倫(2016) 劇照 NO.17沃倫(2016) 劇照 NO.18沃倫(2016) 劇照 NO.19沃倫(2016) 劇照 NO.20
更新時間:2023-08-10 23:28

詳細劇情

  生活在Volhynia的波蘭女孩Zosia,愛上了一個烏克蘭男孩,但是她的父母決定讓她嫁給一個波蘭鰥夫。不久,二戰(zhàn)爆發(fā),局勢緊張,身處戰(zhàn)亂中的Zosia,為了生存必須竭盡全力

 長篇影評

 1 ) 搬運一個比較全的劇情介紹(英文

有很多細節(jié)沒大跟上,然后去補了一下課hhhhh,來自Wikipedia,對于一些臉盲的地方有幫助。

The movie tells the story of a young Polish girl, Zosia G?owacka, from Volhynia's a village settled by Ukrainians, Poles and Jews.The story begins shortly before the outbreak of World War II in 1939 with the marriage of Zosia's sister to a Ukrainian. During the wedding, Zosia's father decides that she has to marry an older village administrator and a widower, Maciej Skiba, despite her being deeply in love with a young, local Ukrainian boy, Petro. The local Ukrainian population shows a lot of resentment towards Polish officials, as they favor the Polish minority in Volhynia. Because of that, some Ukrainians carry out terrorist attacks against Polish authorities and Ukrainian collaborators. These attacks are met with severe actions from the Polish government, including closing Orthodox churches and the humiliation of the Ukrainian population. Despite that, some parts of the Ukrainian and Polish populations try to reconcile with each other.

When the war begins, Maciej gets conscripted to the Polish Army to fight against the Germans in the September Campaign. When the campaign is lost, Maciej and other survivors try to return to their homes. On their way back, all members of the group, except Maciej, are captured by local Ukrainians, tortured and killed.

Maciej manages to get to the village thanks to disguising himself as a Ukrainian. The village is in the eastern part of Poland, which gets occupied by the Soviet Union, and communist rule is established in the village. The local Ukrainian and Jewish populations co-operate with the Soviet authorities, replacing prewar Polish authorities as governors.

In the meantime, Zosia gets pregnant, most likely by Petro, but wants Maciej to believe that the child is his. As a part of a massive deportation of the Polish population carried out by the Soviets in 1939–1941, Zosia, Maciej and his children, are about to be sent to Siberia or Kazakhstan to do forced labour. Zosia and the children are rescued in the last moment, just as the train is about to depart. Petro bribes the guard with vodka. When they come back to Petro's home, Zosia gets contractions. While she is giving birth to her child, the guard arrives and kills Petro. Zosia then takes care of Maciej's home and children during his absence. The children are sent to a school organized by the Soviets.

The plot then switches to 1941, when the German Army is conquering Volhynia during Operation Barbarossa. The Germans begin to kill the local Jews and organize local police units from Ukrainian collaborators, who actively participate in the Holocaust. However, Zosia and other Ukrainians still try to help the Jews by hiding them in safe places.

In the meantime, Maciej comes back home after he manages to escape deportation. The family tries to organize its life in the changed reality, as the Poles face increased hostility from their Ukrainian neighbours, resulting in an increase of murders of Poles committed by the latter. One day Maciej sets out to the local market despite Zosia's protests motivated by her fearing for his safety. She is proven right, as the other Polish neighbours arrive some days later with Maciej's head cut off.

Zosia tries to get by the best she can while she takes care of the children. However, one day, she defends herself against an attempted rape by a Ukrainian policeman, and the presence of the Jews hidden by her is revealed. The Jews, an old couple and a young unrelated boy, escape and find shelter for the winter in the home of a local Ukrainian, who agrees to help after the Jew promises him a large amount of money. When the Jew's wife dies and winter comes, the Ukrainian demands a payment. When he asees that the Jew cannot pay him, he murders him in the forest. The young Jew is rescued by the Ukrainian's son.

In the summer of 1943, news about the killings committed by Ukrainians spreads among the Poles in the village. At the time, a young Polish man who is seriously injured arrives at Zosia's home. When he recovers, he settles there as it makes Zosia feel safer. He contacts the local Home Army unit, which, by orders of the Polish government in the United Kingdom, does not protect the Poles from Ukrainian attacks but prepares to fight the Germans in the future. When the young man is asked to be a guide for members of the Home Army on the way to a meeting with the Ukrainian Insurgent Army (UPA), Zosia desperately tries to discourage him from going. She failed to stop him. When two members of the Home Army arrive at the meeting, as agreed without weapons, they get surrounded by the UPA soldiers, captured, and then dismembered by horses. The men from the UPA then hunt for the rest of the Home Army group. They find only Zosia's friend, who has escaped and is hiding in a church that is full of Poles. During the ceremony, the Ukrainians enter the church, killing everyone in the way, but Zosia's friend. She runs to the church's tower and somehow survives the attack.

In the meantime, the local Ukrainian population, the former Ukrainian policeman and his friends join the UPA in the forest. They gather and call to eradicate the lands from Poles. There are two ceremonies from the Ukrainian Orthodox priests shown: the first one preaching about loving neighbours and the second one calling to kill all Poles to achieve pure Ukrainian lands at last.

Soon, the first survivors of the pogroms arrive to the village and tell the story of Ukrainian neighbours killing Poles and everybody who protested against the killings. The local Ukrainian village administrator arrives at Zosia's home to ensure her that she and her children can stay at home, as they would not be harmed by their Ukrainian neighbours. Also, other Polish people are reassured about their safety. However, those are only deception tactics to allow Ukrainians to kill as many Poles as possible.

The killings in the village begin at night. Zosia escapes with her child, but as she runs away, she sees Poles being tortured, including pregnant women being stabbed in womb, people getting disemboweled and getting their eyes gouged out. Zosia's stepson is murdered during this massacre. Her stepdaughter, however, is rescued by a Ukrainian peasant. On their way to escape from certain death, Zosia and her child arrive to Petro's previous house, where they get rescued by Petro's mother.

As Zosia runs away with her child from place to place, she encounters the corpses of mutilated Polish infants, women and elderly in every village. In one place, she runs into a unit of the German Army, which saves her from certain death, just moments before Ukrainians are about to kill her and her child. The Germans are astonished at first as to why she walks alongside them, but when they find more and more stacks of murdered Poles on their way, they feel sorry for her and escort her to the place where her sister, Helena, lives. She is welcomed there, as Vasyl, Helena's Ukrainian husband, is friendly to Poles. Zosia hides in their shed with her son. As most of the village's population is already involved in killings, Vasyl's brother tries to convince him to join the nationalists and to kill his Polish wife so that he can save himself and the children. As they wrangle, Vasyl kills his own brother with an axe.

The next night, the whole family is attacked by Poles who seek revenge on Ukrainians. They condemn Helena for living with a Ukrainian. They slaughter her newborn in front of her eyes, kill Vasyl and behead her. Zosia observes everything from the shed. Terrified, she escapes again and is now afraid of both Ukrainians and Poles. She hides in the woods with her son. Subsequent scenes show the UPA rushing through the forest, exultantly celebrating while leading a cart occupied by the Poles who killed Helena's family and other Ukrainians, but now disfigured, mauled and visibly tortured as punishment for the retaliatory attacks. A young, blond man with obscured features places Zosia's son on a horse-drawn cart, before approaching Zosia's resting place in the forest. The film then alternates between shots of an unconscious Zosia on a cart, Zosia and her son walking through a German checkpoint at a bridge, before finally settling on an unconscious Zosia lying on the cart, her son sitting at the front of the wagon with the young man, who looks exactly like Petro, making their way through the wide green fields of Volhynia.

 2 ) 可怕的不是曾經(jīng)發(fā)生過,而是之后還會發(fā)生

在觀影前建議百度“西烏克蘭”。影片前半部分對歷史背景交代得過于簡略,作為外國觀眾只好自己補課。

17世紀以前這一地區(qū)即歸屬波蘭,其中涉及到波蘭、俄羅斯和立陶宛公國極其復(fù)雜的歷史糾葛。其間當?shù)馗缢_克部落曾幾次聯(lián)合外方,想要擺脫波蘭統(tǒng)治,均未成功。

1772~1795年,波蘭被俄普奧三國瓜分,西烏并入俄羅斯。沙皇政府在當?shù)貙嵤┤ゲㄌm化政策,推行俄語教育和東正教,使得后來一百多年里,這里的烏克蘭人口大大增長。但當?shù)貫蹩颂m人主要是農(nóng)民,波蘭人集中在城市和社會上層,仍掌握大部分文化和社會資源。

一戰(zhàn)后波蘭復(fù)國時,波、烏、蘇三方因領(lǐng)土爭奪,導致蘇波戰(zhàn)爭。戰(zhàn)后簽訂《里加條約》,將包括沃倫在內(nèi)的西烏領(lǐng)土再次劃分給了波蘭。波蘭政府接管后對當?shù)貫蹩颂m人也實施了強制性的同化政策,因此開頭的婚禮上才會出現(xiàn)“烏克蘭學校和東正教堂被關(guān)”“烏克蘭學生需宣誓效忠波蘭才能上大學”“烏克蘭婦女被迫害”“土地只賣給波蘭村長”這類消息。

這些做法當然等于給自己挖坑,但波方也是如鯁在喉。除了烏克蘭自身的民族意識強烈,當時中東部烏克蘭已并入蘇聯(lián),蘇方借此便利進行滲透,使西烏一直有各種反波活動。39年二戰(zhàn)爆發(fā),按蘇德協(xié)議,蘇聯(lián)出兵占領(lǐng)西烏。這就是女主丈夫從潰敗的波軍中逃亡,沿路看到東正教神父鼓動烏克蘭人拿起武器,清算波蘭人,搶走莊園財物的背景。然而蘇方滅掉波蘭人的目的,是要將整個烏克蘭歸入蘇聯(lián),進行集體化改造(丟掉國旗和流放富農(nóng)的情節(jié))。

很快蘇德翻臉,德軍東進,占領(lǐng)烏克蘭。吃了集體化苦頭的烏克蘭人決定聯(lián)德抗蘇,尋求獨立(猶太人妥妥地被賣了)。但第三帝國認為他們跟波蘭人一樣,都是需要消滅的“劣等人”。直到斯大林格勒戰(zhàn)役后,德軍開始敗退,波蘭人和烏克蘭人都希望在戰(zhàn)后得到西烏地區(qū),于是血淋淋的互撕開始……一般史實認為烏方先動手,之后波方也有所報復(fù),但傷亡數(shù)量以波方為大多數(shù)。

二戰(zhàn)期間,在中東歐多民族地帶,這種一邊被納粹碾壓一邊自相殘殺的情況并不罕見。巴爾干地區(qū)當時也出現(xiàn)了塞、克、阿三族之間的血腥仇殺,其陰影和傷痕一直延續(xù)到當代。因此比起堆砌大量強烈的感官沖擊,如何嚴肅深入地反思這些歷史悲劇,才是這類影片需要面對的問題。

實際在霍布斯鮑姆眼中這個“極端的年代”,再慘絕人寰的場景對人類也難以起到“長記性”的作用。野蠻和殘忍原封不動,一次次永恒復(fù)歸:1948年的印巴;1975年的柬埔寨;1988年的阿塞拜疆;1992年的波黑;1994年的盧旺達;1998年的印尼……人們不但操起砍刀就去剁掉老鄰居的腦袋,而且如《殺戮演繹》中所展示的,當事情平息之后,他們回家照常吃飯睡覺,仿佛那些被他們大卸八塊的人從來就沒存在過。

這種瘋狂各有各的來由。像本片這種情況,起因甚至可以追溯到中世紀乃至更遠?,F(xiàn)代的國族意識陰差陽錯,給原有的歷史恩怨加了猛料,使已經(jīng)既成事實的人口混居地區(qū)陷入無解的死結(jié)。加之某些官方的不當做法:或搞“特殊化”過度偏袒或打壓某一方,或強行抹平差異以制造虛假的一團和氣,或在出現(xiàn)問題時沒有原則地“和稀泥”,結(jié)果反而激怒了所有人。

最糟糕的是,防止瘟疫爆發(fā)的前景并不樂觀。幾十年文化多元主義的“政治正確”,使強調(diào)族群差異的趨勢越來越大于培養(yǎng)認同感,并由此再度出現(xiàn)了沖突的跡象。而大部分在這類問題上持溫和態(tài)度、主張彼此尊重寬容的人,現(xiàn)在都成了圣母和白左,快沒人搭理了。同時現(xiàn)代傳媒工具又把傳統(tǒng)“教堂輿論”的效率升級了無數(shù)倍,只要有一條不知真假的消息被病毒式轉(zhuǎn)發(fā),事態(tài)就可能在幾小時里急劇惡化。

有時很懷疑,那些嘴炮越來越狠,或認為非懟不可的人,有沒有考慮過,在無法避免地必須繼續(xù)朝夕相處的前提下,把對方說成愚昧無知的異類有什么意義(如果已經(jīng)定居國外的人這么干,那更是徹底的不負責任)?一旦真的啟動互撕模式,為什么被滅的一定是對方而不是己方?有些人一有了點話語權(quán),就把自己的言論和立場看得高于一切,甚至忘乎所以地玩火,覺得反正燒不到自己。還有些人的強硬態(tài)度只是為了不讓別人說自己慫,等將來有人說你不上就是慫,他們也照樣會立刻就上,理智這東西從來就不在他們的腦回路范圍內(nèi)。

所以又回到了原點:在獲得了現(xiàn)代文明賦予的自由之后,有些人卻只想重復(fù)原始社會的觀念和行為——黨同伐異。因此“巫婆的大鍋”總是不會熄火,稍不留神,還會越燒越旺。里面那些充滿仇恨的大雜燴,挑動著每個人的“蠻荒本性”,隨時可能召喚回一場超乎想象的腥風血雨。

在那樣的地獄模式里,善意和勇氣都是徒勞的。無論是女主情人出于舊愛救下母子,還是女主對猶太人的憐憫藏匿,都閃現(xiàn)著難得的希望和人性。但當他們自己被一槍爆頭、被四處追砍的時候,并沒有誰來拯救他們。人們殺掉他們,仿佛踩死一只螞蟻一樣隨隨便便。沒有主角光環(huán),沒有開掛,也沒有神跡。無數(shù)普通人就這樣被毫無痕跡地吞沒在歷史的洪流中,變成一個數(shù)字的一部分。多少年后,世人還要為了這個數(shù)字到底是幾爭吵不休。

也包括那些玩火的人——《蘇菲的抉擇》中寫到,波蘭戰(zhàn)前那些鼓吹反猶的教授,照樣被納粹槍斃在校園墻下。You did it to yourself.沒有人能成為仇恨和惡意的玩家,留下的只是吞噬所有人的黑暗深淵。

 3 ) 你知道電影都是假的,但你同時也知道歷史是真的

比恐怖片還恐怖的戰(zhàn)爭片。
講述二戰(zhàn)期間一個波蘭少女的遭遇,讓觀眾了解到Volhynia這個地方曾經(jīng)發(fā)生的可怕的歷史。
Volhynia二戰(zhàn)前是在波蘭人統(tǒng)治之下,但這個地方的多數(shù)民族是烏克蘭族,第三種人是猶太人,二戰(zhàn)開始前猶太人就已經(jīng)被兩個民族的人歧視了。二戰(zhàn)剛開始,蘇聯(lián)紅軍來了,波蘭人被流放。后來德軍占領(lǐng)了Volhynia,波蘭人回來了,猶太人被清洗。再后來,烏克蘭起義軍(UPA)成立,烏克蘭民族主義抬頭,波蘭人和猶太人被烏克蘭人無差別屠殺。
應(yīng)該說在蘇聯(lián)或者德國控制Volhynia的時候,事情已經(jīng)變得非常糟糕了,但是女主還能勉強生存下去。但是UPA統(tǒng)治下,也就是電影的最后二三十分鐘,烏克蘭人被煽動起來,對所有其他民族的人進行的屠殺,簡直殘暴得令人恐懼。
曾經(jīng)的鄰居、朋友、鄉(xiāng)親,甚至夫妻,昨天還一起喝酒聊天、下地干活,今天就拿起斧頭要了你的命。電影最后展示的砍頭、剝皮、挖眼、人體火把、兩馬分尸……真的慘絕人寰。關(guān)鍵的問題是,你知道電影都是假的,但你同時也知道歷史是真的。
電影一開始婚禮時的民俗,門檻上砍掉新娘的頭發(fā)以示嫁為人婦,以及圍著圓圈接力扔燃燒的木樁的傳統(tǒng)游戲,與后來門檻上砍掉婦人的頭和小男孩火把,都是諷刺的對比。
女主從青春美麗的少女變成精神崩潰的行尸走肉,到底最后女主活下來了沒有?一說是最后已經(jīng)死去的初戀趕著馬車來接她說明她已經(jīng)死了,另外一種理解是這是她精神崩潰后的美好幻想。其實已經(jīng)不重要了,遭遇了這么多恐怖的事情,死去也未嘗不是一種解脫。
看電影比較難分清角色到底誰是波蘭人、烏克蘭人和猶太人,斯拉夫人長得都差不多。

 4 ) 別怪斯拉夫二毛子殘忍,其實是人類進化史上根深蒂固的殘暴基因

最恐怖的恐怖不是妖魔,不是外星生物,而是人類文明史之間的互相殺伐,長平之戰(zhàn),揚州十日,蒙古入侵,十字軍東征,納粹猶太人,盧旺達屠殺,南京,紋革等等都是赤裸裸血淋淋的人間地獄,他們能找出各種正當理由,資源土地,意識形態(tài),階級沖突,宗教信仰,民族仇恨,本片讓我想到零九年烏魯木齊,昨天還是一起吃飯喝茶嘮嗑的鄰居,今天就舉起屠刀向你全家而來,只不過本片表達過于直白殘忍,剝皮,肢解,屠殺孕婦嬰兒,R級都別想過,諾不是真實歷史真的會被介入禁片,看下來負能量爆棚,已經(jīng)超過我的闕值,導致現(xiàn)在寫影評都思維混亂。。

 5 ) 與《我們來自未來》一起看

波蘭電影《沃倫》和俄羅斯電影《我們來自未來2》,放在一起看有好處。 烏克蘭和白俄羅斯西部有一塊領(lǐng)土,原來都是俄羅斯沙皇統(tǒng)治,十月革命后的蘇維埃與波蘭戰(zhàn)爭,波蘭把這塊地方搶過去了,有20萬平方公里。這塊地方住著烏克蘭人和波蘭人。 二戰(zhàn),德國入侵波蘭,蘇聯(lián)也趁機入侵,把這塊地方搶回去了,其中就包括一個叫沃倫的地方。一些文章常說的德國和蘇聯(lián)夾擊波蘭,實際蘇聯(lián)不過是拿回了1920年被波蘭占領(lǐng)的土地。 沃倫這里的烏克蘭人和波蘭人,無力抗拒強大的德國人和蘇聯(lián)人,但是互相打來打去,以及配合德國欺負猶太人,還是有兩手。于是有了波蘭人受害的沃倫慘案。 《我們來自未來2》,講的是兩個仇視俄國人的西部烏克蘭人,經(jīng)歷了時空穿越,發(fā)現(xiàn)他們與俄羅斯人曾經(jīng)并肩戰(zhàn)斗,抗擊德國入侵。回到現(xiàn)實后,改變了對歷史的看法。 想了解烏克蘭與波蘭、烏克蘭與俄羅斯關(guān)系,看這兩個電影,會快一些。

 6 ) 美女掩蓋下的丑陋

看之前完全不知道是什么類型的片子,一部兩個半小時的電影抽了半盒黃皖,最后的鏡頭實在是看的心驚膽戰(zhàn),夾煙的手指都在發(fā)抖。不知道人性怎么可以這樣丑惡!在這之前還對遍地大長腿、金發(fā)、美麗、廣袤美麗的農(nóng)莊田野的東歐各種想象,看完之后就覺得這不是一片化外之地嗎?野蠻、愚昧,不知道對比納粹,侵華日軍會怎樣?

對東歐的歷史一點不通,但是很好奇。電影中的村莊應(yīng)該是烏波交接的地方吧,本來兩族人和平相處,生活也安逸,可是戰(zhàn)爭釋放了仇恨和人本惡,把這美麗的土地化成一片焦土。

現(xiàn)在想想身處和平年代真是幸福了,相比動亂的戰(zhàn)爭年代哪有人性公平可言,那殘酷血腥的畫面鏡頭卻是人本身制造的。戰(zhàn)爭不是歐洲人獨有的,我想人類歷經(jīng)幾千年的文明發(fā)展,這樣的戰(zhàn)爭不計其數(shù),發(fā)生在我們這片土地的類似的事情肯定不勝枚舉,說近的如南京大屠殺這樣的畫面就不敢想象,可是中國關(guān)于這段歷史的電影也不在少數(shù),可是沒有一個能有如此深刻的揭露戰(zhàn)爭可惡的作品。

巴拉巴拉說了沒頭沒腦的,還是希望有了解東歐歷史的能給補補腦,網(wǎng)上也沒有找到相關(guān)的東西。

建議青少年慎觀影,鏡頭太血腥!

求輕噴,處女評。

 短評

切辮切頭,火束活人,墻頭草奪權(quán),伏特加換命,偷雞割臂,桶中斷頭,鄰里兄弟相殘屠殺,讀過你的詩歌亦五馬分尸。波蘭姑娘在非常時期的三個情人,無解的極端民族矛盾,太恐怖……導演Wojciech Smarzowski最高杰作

5分鐘前
  • kylegun
  • 力薦

拋開劇作層面上的問題,這片子在還原歷史方面還是挺震撼的,這位導演對于還原生活或事件的細節(jié)一直很嚴謹,這部電影里的屠殺場面,雖然比不上真實歷史,但絕對比我們看過大多數(shù)戰(zhàn)爭片震撼,細節(jié)在于殺人場面的花樣百出。http://mp.weixin.qq.com/s/N1DZZVlWZwBR

10分鐘前
  • 褻瀆電影
  • 還行

4.5 后半段一度干嘔,真實的極端影像,足以堪稱與《索爾之子》并列的近幾年二戰(zhàn)題材神作。相比烏克蘭土匪,德軍真算文明人了。結(jié)局玩了一手對臉盲患者不大友好的陰陽兩隔套路。

12分鐘前
  • 徐若風
  • 推薦

曾經(jīng)好好的民族融合地區(qū)由于戰(zhàn)爭政治民族宣傳搞起了無差別大屠殺 比一切恐怖片都真實 滿屏幕的血肉模糊 比南京大屠殺更窩心 因為不存在侵略?。】催@種電影哭都哭不出 所以我一直說人類是世界上最殘忍最沒人性的生物對國人來說的冷門片 大導演殘酷再現(xiàn)歷史的十分之一

15分鐘前
  • 完顏穆爾登格
  • 力薦

民族主義者,慘絕人寰的種族清洗罪行,警鐘長鳴!

19分鐘前
  • 沛。
  • 力薦

二戰(zhàn)后期烏克蘭人對波蘭人血腥屠殺,其中還夾雜著蘇聯(lián)人清洗波蘭地主、德國人滅絕猶太人、波蘭人報復(fù)烏克蘭人。全片極為血腥極為殘忍,可謂慘不忍睹,只有人類才會對同類做出如此可怖勾當。一個強有力的政府可以約束不同種族,防止他們仇殺,一旦政府垮臺,種族仇殺就很難避免,南斯拉夫、盧旺達都是這樣。

21分鐘前
  • 似是故人來
  • 力薦

看的是差不多150分鐘的版本(A站還是B站有閹割版本,心理承受能力較弱就去看閹版吧),部分鏡頭會有不適感,過于真實、殘忍,血腥,反人倫。 沃倫大屠殺的遇難人數(shù)超過八萬。

23分鐘前
  • 鹿不鹿
  • 推薦

不清楚這段歷史,但并不懷疑人性如此冷酷、卑劣、丑陋。

28分鐘前
  • 朱芳文
  • 力薦

愿世界和平!真的太慘了,人間煉獄,大過節(jié)的我為什么要看這么喪的一部電影!

31分鐘前
  • 朝陽區(qū)陸依萍
  • 推薦

再現(xiàn)戰(zhàn)爭殘酷的波蘭電影,B站和諧版,血腥暴力依舊讓我觀影中有很多不適感。烏克蘭民族對波蘭屠殺也是基于極端的種族主義煽動起來的,人比猛獸更加可怕,因為動物之間不會無故自相殘殺,反而是身為高智商的人類卻有那么多人性的弱點,人類是多么可怕的物種!所有還原戰(zhàn)爭歷史的電影都堪比恐怖片。

34分鐘前
  • kiki204629
  • 推薦

太慘了,戰(zhàn)爭陰云與民族主義下的人性黑暗面,屠殺以及各種各樣的屠殺和清洗。人性泯滅后究竟會有多么殘忍,多么令人反感與厭惡。不忘歷史,珍惜和平,或許是不少人看完該片后的最大感受,畢竟戰(zhàn)爭帶給人們的傷痛太大了?!皷|部的波蘭人被屠殺兩次,先是被斧子砍,第二次卻是死于沉默。”3.6

39分鐘前
  • 方槍槍
  • 還行

還是形式大于內(nèi)容了吧,不得不說剪輯很混亂,零碎無厘頭的鏡頭,加上女主活不起的表情,讓我無數(shù)次放棄觀看

44分鐘前
  • 困難總比辦法多
  • 較差

敘事基本上是徹底失敗的,凌亂的剪輯更是雪上加霜。唯一值得稱道的就是這個無比凝重的題材,可惜這么拍真是暴殄天物。

47分鐘前
  • 豬頭妖怪
  • 還行

寧做太平犬,不做亂離人。還能說什么呢?一切堅韌,勇敢,果決,在大歷史面前根本不值一提。巨大的輪子碾過,你連粉末都不剩。

50分鐘前
  • frozenmoon
  • 還行

8 歷史反復(fù)證明 民族混居與信仰沖突的地區(qū)積攢的矛盾一旦爆發(fā) 后果將是萬劫不復(fù)的人性深淵;波蘭和烏克蘭 兩個夾雜在德國和野蠻俄狗之間的悲情國家無法擺脫的命運 相比波蘭 烏克蘭更不走運 今日烏之現(xiàn)狀能看做是歷史的報復(fù)嗎;德軍:早知道你們斯拉夫人內(nèi)斗這么狠 干嘛還親自動手

54分鐘前
  • 東郷柏
  • 推薦

唯一想說的,是這片子對臉盲癥太不友好了??

55分鐘前
  • Ziya
  • 力薦

很多人把這類悲劇歸結(jié)為民族、宗教、意識形態(tài)等等紛爭,事實上問題的根源是無政府狀態(tài),沒有制約獸性的暴力機構(gòu),人類會爆發(fā)出最原始的最大的惡...

59分鐘前
  • 推薦

結(jié)局只能說是女主自己的想像了,她的倖存不代表她能再“正常”活下去。烏克蘭人當年對波蘭人的無差別虐殺是基本完整呈現(xiàn)在本片當中,每件虐殺過程都是有記錄在案的事實。而女主姐姐一家的遭遇也表示波蘭人的事後報復(fù)也清除了最後一丁點烏克蘭少數(shù)好人原本的民族共存努力,此片極度令人不適。

60分鐘前
  • John Coey
  • 力薦

真正的恐怖片

1小時前
  • 飯團
  • 推薦

片里的波蘭人也是倒了血霉了,熬過了蘇聯(lián)紅軍,熬過了德國納粹,以為這下終于結(jié)束了,卻被烏克蘭民族主義者血洗了。最后幾十分鐘的大屠殺真是得捂著心臟看才行。

1小時前
  • 陳哈
  • 力薦

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