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以下來自FRTV：http://1000fr.com/thread-283864-1-1.html 最多人收看的舞蹈選秀節(jié)目,最大型的真人秀《美國偶像》的姐妹秀：《舞林爭霸》，又要＂瘋迷＂全世界！由英國美女主持人Cat Deeley主持的本節(jié)目，已經(jīng)進(jìn)行到第四個季度了，從街頭嘻哈到交際舞，各種舞蹈都有機會在本節(jié)目上演出。每位參賽選手都是由節(jié)目所評選出來的，不論是從無名小卒到世界舞王。每位參賽者都要努力通過每次的評選，在節(jié)目中，會有各式各樣的舞蹈類型出現(xiàn)，更要與其他選手合作來訓(xùn)練自己的能力。製片人將走訪紐約、芝加哥、洛杉磯和亞特蘭大，尋找最能代表美國節(jié)拍的舞者。那些在面試中使評委眼前一亮的天才舞者將進(jìn)入第二輪選拔，與頂尖的編舞人員合作。在為期一週的第二輪選拔中，評委們將選出前20位選手進(jìn)入下一輪比賽。
長篇影評
1 ) 美麗如你—Billy Bell
不期而遇
帶著海風(fēng)和貝殼的質(zhì)地
此時此地，美麗如你
——Billy Bell
---------------------------------華麗麗的分割線---------------------------------
看到有人說恐怖片很勵志，恕我對這種標(biāo)新立異的講法不能茍同。我依然很庸俗的認(rèn)為真正勵志的是真人秀。盛大，真實，野心勃勃。
最近在看SO U THINK U CAN DANCE 6。
忽略了眼淚、自白和評委的尖叫，我只愛那些身體舞動的美好時刻，無論是當(dāng)下最能抓住眼球HIP-POP，還是充滿風(fēng)情的JAZZ，抑或是最直擊心靈的CONTEMPORARY，每一段SOLO都仿佛讓我重新找到童年時代丟失的珍寶，滿心都是流淌的感動與飛翔般的幸福。
最愛的是Billy Bell，那段讓我難以呼吸的SOLO。我聽得到To build a home行云流水的鋼琴樂和回旋反復(fù)的吟唱。而他，像從天空傾瀉而下的流水和白色的飛鳥，宛如剛剛在舞臺上誕生的孩子，只是恣肆地舞，完全不知道自己的好。
19歲的年紀(jì)，僅僅5年的舞蹈生涯，Juilliard的學(xué)生，無論是批評，傷病，或者是贊賞，都不能改變他一如既往的靦腆、謙遜有教養(yǎng)，在他身上絲毫看不到刻意炫技的成分和選秀節(jié)目中常見的極端反應(yīng)，而他又才華橫溢得能夠讓每次評委大叔和評委大媽們臉上都掛滿愛憐的笑容，怎么能讓我不喜歡呢。而因病退賽的結(jié)果更是讓我震驚且期待，期待第七季里他的每一個笑臉，每一個動作，每一句帶笑出來話，靦腆，謙遜而不做作。
總之，有夢想的人是好的，有才華的人是好的，低調(diào)的人是好的，以夢想為名用才華和汗水低調(diào)地戰(zhàn)斗著的人也是好的，所以咱的小Billy是最好的：）
P.S原諒我先為自己淺薄的遣詞造句汗一把。。。
轉(zhuǎn)一篇在外文博客上看到的文，博主應(yīng)該是舞蹈評論的業(yè)內(nèi)人士，在這里致以謝意，應(yīng)該是在Billy休賽以后，給喜歡和期待Billy的人們
INTERVIEWS WITH SONYA TAYEH AND BILLY BELL
December 10, 2009
Okay, here are the interviews I did with Sonya Tayeh and Billy Bell last week at the DeMa Dance Company rehearsal. (Bell and Tayeh are most known for their work on So You Think You Can Dance, if you don’t know - Bell was on the show briefly at the beginning of the season and had to withdraw due to illness, and Tayeh is a choreographer). I spoke with them very quickly, during their tiny lunch break, and I shared the interview with a writer from Dance Spirit magazine. It was hard to get everything down (especially with Billy, who is a fast talker!) and remember the other writer’s questions, etc. (I intend to get a flip camera for the future). Anyway, it’s hard to put this in a question / answer format, so I’m just going to summarize and paraphrase what they each said.
Billy was so sweetly enthusiastic and excited about his life. So much fun to talk to!
First things first - SYTYCD, since that’s how most people know him. He said he definitely plans to return to the show next season. The producers told him he’ll be automatically advanced to the top 100 - so he’ll start out at the Vegas auditions and go from there.
He had to leave the show at the beginning of this season after being diagnosed with Mononucleosis. The problem wasn’t that he was contagious any longer by the time he was diagnosed, but that the illness had significantly enlarged his spleen, and he even had to be hospitalized. Doctors told him if he moved too much with his spleen so enlarged, he could have ruptured it and died. It would likely take a few months for the spleen to return to normal size, they said, which is why he had to leave the show at that point. Now, it’s nearly back to normal though it’s still a slight bit enlarged. “That’s why I wasn’t really dancing full-out,” he said with a little laugh, referring to the rehearsal we’d just seen. Dance Spirit woman and I nearly fell off the couch at this. “If that wasn’t full out, I can’t imagine what you normally look like!” she said. And I agreed. He seemed completely healed to me, to make a massive understatement.
I asked him how he got started in dance. He said he started late, in high school, and he actually began with Hip Hop. His lack of early training didn’t matter for that dance because, unlike ballet for example, the movement isn’t codified. But he soon became interested in Jazz, for which he needed ballet training. He initially learned by mimicking movement, but he soon enrolled in the ballet academy at Ballet Florida and, in order to make up for lost time, really threw himself into it, moving very close to the studio and taking several hours of dance per day, along with his other studies. After a while of ballet, he became interested in tap, and so began training in that too. He’s interested in multiple dance forms but considers his main style to be contemporary ballet.
I asked him who his favorite dancers were or if he had any particular heroes or sources of inspiration. He immediately named Andrea Miller, choreographer and director of Gallim Dance, whom he called his “personal mentor.” He’s worked with her before - when he was 18, his first pro experience — and he performed her work at the Joyce SoHo. He loves her approach to movement and how she teaches: she wants you to experience the movement in your body, he said; it’s not just about the positions, but about how the movement makes you feel. He’s excited to be able to work with her again at Juilliard; she’s to set a piece there soon.
I asked him what other choreographers or companies he’d like to work with. In addition to Gallim, he named William Forsythe and Ohad Naharin’s Batsheva. He finds in this “dance theater” an outer simplicity and yet so much complexity behind it. “What’s going on inside you - (with Gallim and Naharin’s Gaga training) - is simple and yet so complex.” He would also love to do some Paul Taylor, Merce Cunningham, Jose Limon, Jerome Robbins, to name a few.
But his biggest passion: choreographing. He wants to dance while he’s young but eventually his goal is to create dances. He said with a laugh that he loves “destroying ballet” - kind of bending those rods ballet dancers seem to hold up their spines and freeing them up, allowing them to go back and forth between different kinds of movement. He loves being able to work with dancers and bring certain things out in them. He strives to move people emotionally, to move the audience, he loves having that power. He choreographed his first piece — 15 minutes long — at Dreyfoos, his high school back in Florida. It was performed there at a show in January.
But that’s in the future. In the meantime, he’s finishing up at Juilliard (he’s about halfway through his BFA; has another couple years to go), he has the SYTYCD Vegas auditions coming up next season, he’s participating in a choreographic competition that travels throughout the States, and he just became a principal dancer at DeMa this month. Despina Simegiatos, one of the artistic directors of DeMa, says back when she was looking for strong male dancers for her fledgling company, she found him on YouTube, through some videos he’d posted, and really fell for him. He hadn’t yet gone on SYTYCD.
He’s excited about working with DeMa because it’s a company that seeks to fuse the creative with the commercial. Companies are where artists can focus on their creative work, but commercial work is what pays the bills. In an ideal world these would be fused, but in the U.S. they rarely are, he said. He seeks to be able to transition back and forth between the two. He’s excited about working with Sonya because he was just about to work with her before he had to leave the show. A couple of other Juilliard students are also dancing with DeMa, which makes the company feel homey to him.
He sweetly said he considers himself the luckiest person in the world that he gets to do what he loves and get paid for it.
帶著海風(fēng)和貝殼的質(zhì)地
此時此地，美麗如你
——Billy Bell
---------------------------------華麗麗的分割線---------------------------------
看到有人說恐怖片很勵志，恕我對這種標(biāo)新立異的講法不能茍同。我依然很庸俗的認(rèn)為真正勵志的是真人秀。盛大，真實，野心勃勃。
最近在看SO U THINK U CAN DANCE 6。
忽略了眼淚、自白和評委的尖叫，我只愛那些身體舞動的美好時刻，無論是當(dāng)下最能抓住眼球HIP-POP，還是充滿風(fēng)情的JAZZ，抑或是最直擊心靈的CONTEMPORARY，每一段SOLO都仿佛讓我重新找到童年時代丟失的珍寶，滿心都是流淌的感動與飛翔般的幸福。
最愛的是Billy Bell，那段讓我難以呼吸的SOLO。我聽得到To build a home行云流水的鋼琴樂和回旋反復(fù)的吟唱。而他，像從天空傾瀉而下的流水和白色的飛鳥，宛如剛剛在舞臺上誕生的孩子，只是恣肆地舞，完全不知道自己的好。
19歲的年紀(jì)，僅僅5年的舞蹈生涯，Juilliard的學(xué)生，無論是批評，傷病，或者是贊賞，都不能改變他一如既往的靦腆、謙遜有教養(yǎng)，在他身上絲毫看不到刻意炫技的成分和選秀節(jié)目中常見的極端反應(yīng)，而他又才華橫溢得能夠讓每次評委大叔和評委大媽們臉上都掛滿愛憐的笑容，怎么能讓我不喜歡呢。而因病退賽的結(jié)果更是讓我震驚且期待，期待第七季里他的每一個笑臉，每一個動作，每一句帶笑出來話，靦腆，謙遜而不做作。
總之，有夢想的人是好的，有才華的人是好的，低調(diào)的人是好的，以夢想為名用才華和汗水低調(diào)地戰(zhàn)斗著的人也是好的，所以咱的小Billy是最好的：）
P.S原諒我先為自己淺薄的遣詞造句汗一把。。。
轉(zhuǎn)一篇在外文博客上看到的文，博主應(yīng)該是舞蹈評論的業(yè)內(nèi)人士，在這里致以謝意，應(yīng)該是在Billy休賽以后，給喜歡和期待Billy的人們
INTERVIEWS WITH SONYA TAYEH AND BILLY BELL
December 10, 2009
Okay, here are the interviews I did with Sonya Tayeh and Billy Bell last week at the DeMa Dance Company rehearsal. (Bell and Tayeh are most known for their work on So You Think You Can Dance, if you don’t know - Bell was on the show briefly at the beginning of the season and had to withdraw due to illness, and Tayeh is a choreographer). I spoke with them very quickly, during their tiny lunch break, and I shared the interview with a writer from Dance Spirit magazine. It was hard to get everything down (especially with Billy, who is a fast talker!) and remember the other writer’s questions, etc. (I intend to get a flip camera for the future). Anyway, it’s hard to put this in a question / answer format, so I’m just going to summarize and paraphrase what they each said.
Billy was so sweetly enthusiastic and excited about his life. So much fun to talk to!
First things first - SYTYCD, since that’s how most people know him. He said he definitely plans to return to the show next season. The producers told him he’ll be automatically advanced to the top 100 - so he’ll start out at the Vegas auditions and go from there.
He had to leave the show at the beginning of this season after being diagnosed with Mononucleosis. The problem wasn’t that he was contagious any longer by the time he was diagnosed, but that the illness had significantly enlarged his spleen, and he even had to be hospitalized. Doctors told him if he moved too much with his spleen so enlarged, he could have ruptured it and died. It would likely take a few months for the spleen to return to normal size, they said, which is why he had to leave the show at that point. Now, it’s nearly back to normal though it’s still a slight bit enlarged. “That’s why I wasn’t really dancing full-out,” he said with a little laugh, referring to the rehearsal we’d just seen. Dance Spirit woman and I nearly fell off the couch at this. “If that wasn’t full out, I can’t imagine what you normally look like!” she said. And I agreed. He seemed completely healed to me, to make a massive understatement.
I asked him how he got started in dance. He said he started late, in high school, and he actually began with Hip Hop. His lack of early training didn’t matter for that dance because, unlike ballet for example, the movement isn’t codified. But he soon became interested in Jazz, for which he needed ballet training. He initially learned by mimicking movement, but he soon enrolled in the ballet academy at Ballet Florida and, in order to make up for lost time, really threw himself into it, moving very close to the studio and taking several hours of dance per day, along with his other studies. After a while of ballet, he became interested in tap, and so began training in that too. He’s interested in multiple dance forms but considers his main style to be contemporary ballet.
I asked him who his favorite dancers were or if he had any particular heroes or sources of inspiration. He immediately named Andrea Miller, choreographer and director of Gallim Dance, whom he called his “personal mentor.” He’s worked with her before - when he was 18, his first pro experience — and he performed her work at the Joyce SoHo. He loves her approach to movement and how she teaches: she wants you to experience the movement in your body, he said; it’s not just about the positions, but about how the movement makes you feel. He’s excited to be able to work with her again at Juilliard; she’s to set a piece there soon.
I asked him what other choreographers or companies he’d like to work with. In addition to Gallim, he named William Forsythe and Ohad Naharin’s Batsheva. He finds in this “dance theater” an outer simplicity and yet so much complexity behind it. “What’s going on inside you - (with Gallim and Naharin’s Gaga training) - is simple and yet so complex.” He would also love to do some Paul Taylor, Merce Cunningham, Jose Limon, Jerome Robbins, to name a few.
But his biggest passion: choreographing. He wants to dance while he’s young but eventually his goal is to create dances. He said with a laugh that he loves “destroying ballet” - kind of bending those rods ballet dancers seem to hold up their spines and freeing them up, allowing them to go back and forth between different kinds of movement. He loves being able to work with dancers and bring certain things out in them. He strives to move people emotionally, to move the audience, he loves having that power. He choreographed his first piece — 15 minutes long — at Dreyfoos, his high school back in Florida. It was performed there at a show in January.
But that’s in the future. In the meantime, he’s finishing up at Juilliard (he’s about halfway through his BFA; has another couple years to go), he has the SYTYCD Vegas auditions coming up next season, he’s participating in a choreographic competition that travels throughout the States, and he just became a principal dancer at DeMa this month. Despina Simegiatos, one of the artistic directors of DeMa, says back when she was looking for strong male dancers for her fledgling company, she found him on YouTube, through some videos he’d posted, and really fell for him. He hadn’t yet gone on SYTYCD.
He’s excited about working with DeMa because it’s a company that seeks to fuse the creative with the commercial. Companies are where artists can focus on their creative work, but commercial work is what pays the bills. In an ideal world these would be fused, but in the U.S. they rarely are, he said. He seeks to be able to transition back and forth between the two. He’s excited about working with Sonya because he was just about to work with her before he had to leave the show. A couple of other Juilliard students are also dancing with DeMa, which makes the company feel homey to him.
He sweetly said he considers himself the luckiest person in the world that he gets to do what he loves and get paid for it.
2 ) Jakob-adam
I love Jakob at the very first sight. He looks like adam from the moive <Adam>. He is hard working, pure, dedicated, kind-hearted, selfless, and when he dances, oh man, he can't be more perfect. He loves dance. He is a dance machine.
3 ) 完全沒了興致
本來看海選，看的誓死追隨第六季，哪知滿懷激動的到了20強正式比賽，開始第一場的表演秀就沒有亮點。編舞明顯疲軟?？吹梦宜啵诖奖荣惒粫@么肉頭。結(jié)果我最愛的Billy竟然不在！開場的裙舞就找不到，獨舞也不在。心慌之余，噩耗來襲，生病了，生病了！那我還看什么啊...抽到的舞曲讓我不得不懷疑，這季的舞曲不是隨機抽取嗎，個人專場的繼續(xù)跳。那倒也罷了，畢竟要出效果，結(jié)果讓Russel去跳solo淘汰Brandon，拜托，奈老大，這也太明顯了吧。淘汰Brandon有必要動用Russel嗎？在我看來，Russel是這季僅次于Billy的天才。真是怪不得Russel的solo滿是怒氣，雖然Krump是激烈，但他跳完站在Cat旁邊一秒都呆不住。
Legacy我也不喜歡。他專長的街舞確實強悍，可是其他舞種跳的七零八落，根本沒有資格進(jìn)級，而第一場又是街舞，讓我覺得評委似乎把他當(dāng)備胎，準(zhǔn)備適當(dāng)?shù)囊患渌硕紡姾返臅r候也有個選擇。第六季的海選太強了，只有把Legacy這樣的挑進(jìn)來，水平才算有點落差。
Nathan在第五季海選的時候我就喜歡。第六季的開始我還納悶，不知道他會怎樣出現(xiàn)，Vagas之前一句都沒提，結(jié)果Vagas第一場就是他。我看到他的solo，尖叫得不知如何是好了。唯一讓我覺得遺憾的是，小子雖然很可愛，可是那兩朵腮紅，怎么看都是高原下來的孩子，有點苦哈哈的感覺。笑容Q是Q，就是沒怎么帥氣。不知道能不能表現(xiàn)一些Sexy的段子。
請出現(xiàn)個理由讓我繼續(xù)追隨吧?；蛘咦孊illy生完病就回來。我的Billy，你怎么走的這么早啊...
PS，我真是喜歡Shankman。他說他像動畫片里大力水手的紅心眼睛，還模仿那么像的生效，我心說我簡直愛死這個男人了。大家都愛模仿Lil‘C的字典式評書?？赡苁荕ary的尖叫已經(jīng)不再尖了之后一點娛樂吧。
Legacy我也不喜歡。他專長的街舞確實強悍，可是其他舞種跳的七零八落，根本沒有資格進(jìn)級，而第一場又是街舞，讓我覺得評委似乎把他當(dāng)備胎，準(zhǔn)備適當(dāng)?shù)囊患渌硕紡姾返臅r候也有個選擇。第六季的海選太強了，只有把Legacy這樣的挑進(jìn)來，水平才算有點落差。
Nathan在第五季海選的時候我就喜歡。第六季的開始我還納悶，不知道他會怎樣出現(xiàn)，Vagas之前一句都沒提，結(jié)果Vagas第一場就是他。我看到他的solo，尖叫得不知如何是好了。唯一讓我覺得遺憾的是，小子雖然很可愛，可是那兩朵腮紅，怎么看都是高原下來的孩子，有點苦哈哈的感覺。笑容Q是Q，就是沒怎么帥氣。不知道能不能表現(xiàn)一些Sexy的段子。
請出現(xiàn)個理由讓我繼續(xù)追隨吧?；蛘咦孊illy生完病就回來。我的Billy，你怎么走的這么早啊...
PS，我真是喜歡Shankman。他說他像動畫片里大力水手的紅心眼睛，還模仿那么像的生效，我心說我簡直愛死這個男人了。大家都愛模仿Lil‘C的字典式評書?？赡苁荕ary的尖叫已經(jīng)不再尖了之后一點娛樂吧。
4 ) 一對黑馬
等不及要看本周的舞了，會先看劇透。本周起每對會多跳一支舞。自進(jìn)入20強以來，Russell始終沒有太出彩的表現(xiàn)。撇開個人的偏愛，我還是覺得他被編舞拖累了，大概沒什么簽運，舞伴也不怎么地。奶舅和那個并未入選的世界冠軍舞伴都說他完全不像是未曾受過其他的舞蹈訓(xùn)練，由此可見他的天賦，但幾場下來也只表現(xiàn)出了稱職而已。
之前我說Legacy沒什么過失，其實何止那樣而已，我只是有些不甘心。其實在海選中我還蠻喜歡他，主要是因為感覺作為一名小有名氣的B-boy他表現(xiàn)得相當(dāng)虛心，而虛心的人往往可以走得遠(yuǎn)。他果真走得很遠(yuǎn)，連同那個更不起眼的Kathryn一起，跌破很多人的眼鏡。這一對很神奇，幾乎有了命中注定的意味。沒記錯的話他們應(yīng)該是唯一從來沒有排到尾三的一對，每周都叫人驚艷--抽中的編舞固然好，但不得不承認(rèn)，他的進(jìn)步遠(yuǎn)不止于‘以他的水準(zhǔn)而言很好’的程度。
覺得Legacy和Kathryn有好些共同點--嗓音高、容易激動，所以應(yīng)該是相當(dāng)有靈犀的一對。初時對Kathryn幾乎完全沒有印象，漸漸才發(fā)現(xiàn)她就是那個公布20強名單那一集里情緒激動起來聲音就會越提越高的那個女孩--當(dāng)時覺得那簡直滑稽得不真實，心想這女的應(yīng)該不會待很久。Legacy也一樣，開始的時候除了幾個高難度動作外其他部分都偏弱，學(xué)舞也并不靈巧，幾乎被淘汰，入選了20強以后也不被看好，但我想也是時候承認(rèn)我看走眼了。這兩只放在一起，感覺硬是很對。套用某博主的一句，you can tell they truly support one another in their crybaby ways，這一句把我萌倒了。
沒想到第一篇評論寫的竟會是這兩只。
之前我說Legacy沒什么過失，其實何止那樣而已，我只是有些不甘心。其實在海選中我還蠻喜歡他，主要是因為感覺作為一名小有名氣的B-boy他表現(xiàn)得相當(dāng)虛心，而虛心的人往往可以走得遠(yuǎn)。他果真走得很遠(yuǎn)，連同那個更不起眼的Kathryn一起，跌破很多人的眼鏡。這一對很神奇，幾乎有了命中注定的意味。沒記錯的話他們應(yīng)該是唯一從來沒有排到尾三的一對，每周都叫人驚艷--抽中的編舞固然好，但不得不承認(rèn)，他的進(jìn)步遠(yuǎn)不止于‘以他的水準(zhǔn)而言很好’的程度。
覺得Legacy和Kathryn有好些共同點--嗓音高、容易激動，所以應(yīng)該是相當(dāng)有靈犀的一對。初時對Kathryn幾乎完全沒有印象，漸漸才發(fā)現(xiàn)她就是那個公布20強名單那一集里情緒激動起來聲音就會越提越高的那個女孩--當(dāng)時覺得那簡直滑稽得不真實，心想這女的應(yīng)該不會待很久。Legacy也一樣，開始的時候除了幾個高難度動作外其他部分都偏弱，學(xué)舞也并不靈巧，幾乎被淘汰，入選了20強以后也不被看好，但我想也是時候承認(rèn)我看走眼了。這兩只放在一起，感覺硬是很對。套用某博主的一句，you can tell they truly support one another in their crybaby ways，這一句把我萌倒了。
沒想到第一篇評論寫的竟會是這兩只。
5 ) 不好...
追到這個點上，看完10進(jìn)8揭曉的這一集我真的難過了。Noelle會離開是意料中的事--事實上她能擠進(jìn)10強就已經(jīng)出乎我意料了。不否認(rèn)她也算可愛，就是缺了點能讓人記住的特色，給人的印象也太平面了。
20強誕生以來最喜歡的是Russell，也相當(dāng)看好Nathan。我是非專業(yè)眼光，向來不太懂得欣賞現(xiàn)代舞，一般上會覺得沉悶、常常會看到囧點，但看Billy海選中的獨舞差點流了淚，也覺得Jacob的舞很美。那個時候我覺得Mollee特別亮眼，像是一朵盛放的向日葵之類的花。
那時候還是蠻喜歡Legacy的，主要是覺得他的態(tài)度相當(dāng)謙和。隨著節(jié)目的進(jìn)展，評委們對他的偏愛越來越明顯，目前可以說是已經(jīng)過了頭。百度貼吧里都是攻擊‘史強哥’的帖子，美國人的博客里也不見得對他有多高的評價。B-boy中他固然稱不上史上最強，在20強后的進(jìn)步卻是有目共睹，只是絕對到不了評委們將他吹捧到的這個程度，也還夠不上其他舞者的程度。奶酒大可以少說幾句，與事實不符的評價只會引起觀眾更大的不滿。
所以說，我很難相信Nathan的人氣竟然會低于Legacy。對美國觀眾的口味和Legacy實際上的知名度我不太清楚，但我認(rèn)為，作為一個虛心好學(xué)但樂感始終不是很好的B-boy，走到這里已經(jīng)很足夠了，大家更能夠接受。十強的獨舞中他特地選了首旋律感較強的配樂，但配樂在那段舞中根本可有可無，反倒更凸顯出他在樂感方面的弱勢。他的表現(xiàn)不算好，甚至不必Ryan好，更不用說Nathan。我不至于認(rèn)定他的眼淚和言論都是在作秀，也不愿意那樣想，但覺得真是夠了。
現(xiàn)在剩下來的男人中除了Russell和Jacob，其余兩個無論是誰進(jìn)入四強我都接受不了；至于女的，我希望是Kathryn和Ellenore。一直不太感覺得到支持夫妻倆的呼聲--你要我相信他們的粉絲都不上網(wǎng)？
這一季除了史上最強的B-boy外還有史上第一對夫妻、史上第一次進(jìn)入20強的踢踏舞者還是三個。強調(diào)得很刻意的賣點很多，Nathan和Mollee正太蘿莉組最初夢幻組合的假象也是奶酒捧出來的。史上第一個Krumper Russell還算稱職。我特別喜愛Russell并相信他自有其優(yōu)秀的地方，天賦很高，謙和憨厚，在舞蹈上或是人格上都沒什么可挑剔，但即便是我也覺得評委對他的贊許有些刻意。那幾支淡而無味的雙人舞我始終不知道好在哪里。奶酒幾乎每一集都要強調(diào)一次Russell沒有受過其他舞種的訓(xùn)練、明明大多數(shù)舞者都比Nathan大不了多少卻老是強調(diào)他年紀(jì)小。其實，我明明記得Russell在海選中說過他學(xué)過現(xiàn)代舞、爵士舞、踢踏舞等等等等的...
20強誕生以來最喜歡的是Russell，也相當(dāng)看好Nathan。我是非專業(yè)眼光，向來不太懂得欣賞現(xiàn)代舞，一般上會覺得沉悶、常常會看到囧點，但看Billy海選中的獨舞差點流了淚，也覺得Jacob的舞很美。那個時候我覺得Mollee特別亮眼，像是一朵盛放的向日葵之類的花。
那時候還是蠻喜歡Legacy的，主要是覺得他的態(tài)度相當(dāng)謙和。隨著節(jié)目的進(jìn)展，評委們對他的偏愛越來越明顯，目前可以說是已經(jīng)過了頭。百度貼吧里都是攻擊‘史強哥’的帖子，美國人的博客里也不見得對他有多高的評價。B-boy中他固然稱不上史上最強，在20強后的進(jìn)步卻是有目共睹，只是絕對到不了評委們將他吹捧到的這個程度，也還夠不上其他舞者的程度。奶酒大可以少說幾句，與事實不符的評價只會引起觀眾更大的不滿。
所以說，我很難相信Nathan的人氣竟然會低于Legacy。對美國觀眾的口味和Legacy實際上的知名度我不太清楚，但我認(rèn)為，作為一個虛心好學(xué)但樂感始終不是很好的B-boy，走到這里已經(jīng)很足夠了，大家更能夠接受。十強的獨舞中他特地選了首旋律感較強的配樂，但配樂在那段舞中根本可有可無，反倒更凸顯出他在樂感方面的弱勢。他的表現(xiàn)不算好，甚至不必Ryan好，更不用說Nathan。我不至于認(rèn)定他的眼淚和言論都是在作秀，也不愿意那樣想，但覺得真是夠了。
現(xiàn)在剩下來的男人中除了Russell和Jacob，其余兩個無論是誰進(jìn)入四強我都接受不了；至于女的，我希望是Kathryn和Ellenore。一直不太感覺得到支持夫妻倆的呼聲--你要我相信他們的粉絲都不上網(wǎng)？
這一季除了史上最強的B-boy外還有史上第一對夫妻、史上第一次進(jìn)入20強的踢踏舞者還是三個。強調(diào)得很刻意的賣點很多，Nathan和Mollee正太蘿莉組最初夢幻組合的假象也是奶酒捧出來的。史上第一個Krumper Russell還算稱職。我特別喜愛Russell并相信他自有其優(yōu)秀的地方，天賦很高，謙和憨厚，在舞蹈上或是人格上都沒什么可挑剔，但即便是我也覺得評委對他的贊許有些刻意。那幾支淡而無味的雙人舞我始終不知道好在哪里。奶酒幾乎每一集都要強調(diào)一次Russell沒有受過其他舞種的訓(xùn)練、明明大多數(shù)舞者都比Nathan大不了多少卻老是強調(diào)他年紀(jì)小。其實，我明明記得Russell在海選中說過他學(xué)過現(xiàn)代舞、爵士舞、踢踏舞等等等等的...
6 ) SYTYCD S6就是個杯具?。?！
SYTYCD S6還沒正式比賽就壞消息不斷
Alex Wang根本就沒出現(xiàn)也就算了
Paula拒絕進(jìn)入20強去拍電影也就算了
Mia偏偏這個時候要離開
Billy Bell 竟然又生病不得不退賽
秋季檔搞成這樣
還說要把第五季踩在腳底下呢
真是多事之秋
希望接下來的比賽順風(fēng)順?biāo)?br>
還有就是Billy第七季一定要回來啊?。?！
不過姐妹情蘿莉二人組和肌肉猛男夫妻檔倒是都平安進(jìn)TOP20了，評委們無情也慢慢轉(zhuǎn)成有情了（其實是Paula退出20強變相贈送了女生名額）。
期待這季的比賽能很精彩吧！至少比第五季精彩吧！美國觀眾不要再胡亂投票了！
對了還有Evan的老哥在拉斯維加斯周就被無情地淘汰了，是給Evan看呢吧！丫讓你上季進(jìn)TOP4，這季TOP20有三個踢踏舞者，就是沒有你老哥，估計是評委們在他老哥身上發(fā)現(xiàn)了Evan的影子。。。
冠軍已經(jīng)出來了，反正這季很杯具。失望死了。
等過段時間把名次整理出來。
Alex Wang根本就沒出現(xiàn)也就算了
Paula拒絕進(jìn)入20強去拍電影也就算了
Mia偏偏這個時候要離開
Billy Bell 竟然又生病不得不退賽
秋季檔搞成這樣
還說要把第五季踩在腳底下呢
真是多事之秋
希望接下來的比賽順風(fēng)順?biāo)?br>
還有就是Billy第七季一定要回來啊?。?！
不過姐妹情蘿莉二人組和肌肉猛男夫妻檔倒是都平安進(jìn)TOP20了，評委們無情也慢慢轉(zhuǎn)成有情了（其實是Paula退出20強變相贈送了女生名額）。
期待這季的比賽能很精彩吧！至少比第五季精彩吧！美國觀眾不要再胡亂投票了！
對了還有Evan的老哥在拉斯維加斯周就被無情地淘汰了，是給Evan看呢吧！丫讓你上季進(jìn)TOP4，這季TOP20有三個踢踏舞者，就是沒有你老哥，估計是評委們在他老哥身上發(fā)現(xiàn)了Evan的影子。。。
冠軍已經(jīng)出來了，反正這季很杯具。失望死了。
等過段時間把名次整理出來。
Love Them All. 恭喜Russell?。?/p>
猜對了前六名的順位，russle就像是德懷特霍華德，jacob就像是巴丁格。
很不錯的海選，但是Teddy&Jonathan沒進(jìn)top 20；Victor淘汰太早；mollee&legacy沒進(jìn)final...大-----------扣分~！！
Finale有點強差人意
普通人的奮斗，小人物的努力。歡笑淚水激動和成功，會一直追下去的
這季真是太強了?。?！但最后兩集制作的實在太差勁……
高開低走，徹底無愛了這一季。
下季不看了，狐貍臺的幾季聯(lián)播太累人了 = =
史上最強sytycd
補
弱于第四季，少數(shù)觸動我的routine，某怪女的choreography很贊
嘿嘿，我喜歡Nigel的毒舌，喜歡Adam的娘娘腔，喜歡Mary的大嗓門，喜歡Noelle的燦爛，喜歡Legacy的靦腆，喜歡Russel的可愛，喜歡看他們不費勁就把腳伸到頭頂，喜歡看他們一躍而起展揚的身姿，喜歡看桑巴舞全身各個部位同時動，喜歡看現(xiàn)代舞自由曼妙的表達(dá)……我就喜歡!
很高興，青蛙終于變成了王子?。?！你知道我在說什么嗎
this show is dead to me
第六季比第五季出彩很多
雖然沒有了MIA~~評委席也老被那個話癆ADAM所占~~比賽過程中也是狀況不斷~·但是依然有很多讓人印象深刻的舞蹈~~看得俺心一揪一揪的~首次從海選中就猜到了冠軍花落誰家~·俺真是越來越懂老美了~~
雞凍~~
2010-01-30 看過最后兩集。Top dancers + 有力的編舞。感慨現(xiàn)代舞發(fā)展到如今，表現(xiàn)力直追文學(xué)、戲劇、電影。另，Cover Star + 25萬美刀 + "Americans Favourite Dancer" 頭銜，重金之下，必有勇士。
大愛~！里面的舞超贊啊~~~~~~~！
jzkob!!!太帥了~~太帥了~~~