首先要說豆瓣這分給低了，imdb是6.1妥妥的及格，沒想到豆餌們?nèi)绱饲撇簧象@悚片 仿佛看了一部文藝片，驚悚偏魔幻的內(nèi)核，搭配slasher的套路，女導(dǎo)演風(fēng)格很不錯，帶了大量私貨，氛圍、節(jié)奏、攝影、剪輯都做的挺好，雖算不上出類拔萃，比如在敘事細(xì)節(jié)上略有混亂感，但要知道人做這個片子磨劇本倆月拍攝11天（特意查了下），已經(jīng)相當(dāng)給力了作為小成本，而且看到了幾個熟臉，包括葛雷喬伊家大姐，一眾龍?zhí)着艿牧? 算是個人比較喜歡的悶騷類型，愛看這類導(dǎo)演耍風(fēng)格的盆友可以看看，一般恐怖片愛好者免了，可能會覺得不對味兒

這部影片叫《先發(fā)制人》講的是一個妙齡孕婦經(jīng)常聽到肚子里孩子的呼喚要去殺死一些陌生人才能讓它順利降生，于是乎她就踏上了這條荒誕的亡命之途。 影片編導(dǎo)演都是一個人，而且她趁著自己懷孕的當(dāng)口花了兩個月都拍完了全片，不過那種既恐怖又好笑的情節(jié)，絕對是會讓你拍手稱快的。大家有條件的趕緊去找來看一下吧。

Ditching her partner-in-crime Steve Oram from Ben Wheatley’s SIGHTSEERS (2012), a movie puts her name on the map, British generalist Alice Lowe again, goes on a killing spree in her directorial debut PREVENGE, alone but not alone, as its title’s coinage proclaims, her character Ruth is carrying a baby girl, and this unborn fetus (heard through an irksome child voice) ostensibly leans on and cajole her gravid widow mother to avenge the death of the father whom she is deprived a chance to meet. A shoestring revenge tale (shot in 11 days) told in a chronological fashion seeing Ruth track down a total 6 individuals who are responsible for the death of her husband (Bessant), sequentially and bloodily murder them (save for the last one in the abrupt and ambivalent ending). Her modus operandi is straight-forward, catching them unawares and slashing their throats, mostly, although a quasi-catfight with Len (Whelan) is too idiosyncratic to take it seriously, who needs to wear a pair of boxing gloves in the life-or-death face-off? The truth is, PREVENGE can be deemed lousy by the slasher criteria, but Lowe punctuates its gory but routine business with a combo of wry gusto and quirky irrationality, say, after she surgically castrates the libidinous DJ Dan (Davis), she is patient enough to tuck the latter's pixelated mother (Hoffman) in and does the laundry she has promised her before leaving the bloody scene. However, barring those scintillating wheezes, PREVENGE is dead serious in a mother’s antenatal anxiety and psychogenic delusion, with her grounds of vengeance fitfully teased through repeated images, and no sooner than the middle point, the cat has already been let out of the bag, the funny point is, a viewer may lean to second with her alleged wrong-doers, under certain unfortunate circumstances, sacrifice must be exacted to preempt a bigger disaster, right? Which makes the whole enchilada paradoxical and mean-spirited. “Ruth must be ruthless”, her victims range from a creepy pet shop owner (whose reptilian and arachnid collections also double as the visual pointer of Ruth’s vile outburst), a sybarite mommy’s boy, a frigid high-flying woman pontificating in a clinical corporate office room and et cetera, the only unintended casualty is Josh (Wozniak), a seemingly nice guy who simply chooses the wrong roommate and appears at the wrong time, and this apparently serves as a wakeup call to her defunct moral compass, but that is a false promise, as personal corollaries are vanishingly omitted in the storyline (the baby is fine, she clearly is not), and augmented by its flaccid conjuration of a last-shot surprise, Lowe’s quickie project is somehow mired in its own cynicism, quirkiness and rashness, but still, thanks to it, this reviewer discovers Ben Hecht and Charles MacArthur’s CRIME WITHOUT PASSION (1934), truly, only an ill wind that blows no good. referential entries: Park Chan-wook’s THE STOKER (2013, 7.4/10); William Oldroyd’s LADY MACBETH (2016, 7.9/10).

呵呵，說實(shí)話，自成為孕婦以后，我也總想殺人。每次都以一種挑選獵物的目光來審視他們，最終確定殺哪一個。

片中孕婦滿足了我的殺人幻想。而且孕婦殺人是不會被判死刑的。從抑郁癥變成肝火旺盛的躁郁狂，希望那些我想殺的人都離我遠(yuǎn)遠(yuǎn)的，否則哪天我可能真的控制不住我自己內(nèi)心的小瘋子，該死的世界。