柯南出生蠻荒，被邪教野蠻人帶走，做奴隸一直做到成年。
Language and writing were made available. He was taken to the East, a great prize, where the war masters would teach him the deepest secrets: the poetry of Khitai, the philosophy of Sung.
他應該是被蒙古人帶走，學習了契丹，也可以說是中國的詩歌，和宋國的哲學。腦子里應該和真正的蠻子完全不一樣。裸露的軀體，如同文藝復興的藝術一樣，展現(xiàn)人體之美?？履献詈髲统穑瑴绲粜敖桃靶U人，其實是文明的征服?？履弦换镒罱K的訴求是建立自己的王國own kingdom，其實是在那個架空歷史中追求自由與快樂。

Conan the Barbarian is a film about a young barbarian's quest to avenge his parents' deaths. The story is set in the fictional Hyborian Age, thousands of years before the rise of modern civilization.[2] The film opens with the words, "That which does not kill us makes us stronger", a paraphrasing of Friedrich Nietzsche,[nb 1] on a black screen followed by a voice-over that establishes the film as the story of Conan's origin.[1][4] "A burst of drums and trumpets" accompanies the forging of a sword,[2][nb 2] after which the scene shifts to a mountain top, where the swordsmith tells his young son Conan about the Riddle of Steel, an aphorism on the importance of the metal to their people,[6][7] the Cimmerians.[8]

The Cimmerians are massacred by a band of warriors led by Thulsa Doom. Conan's father is killed by dogs, and his sword is taken by Doom to decapitate Conan's mother. The children are taken into slavery; Conan is chained to a large mill, the Wheel of Pain. Years of pushing the huge grindstone build up his muscles. His master trains him to be a gladiator, and after winning many pit fights, Conan is freed. As he wanders the world, he encounters a witch and befriends Subotai, a thief and archer.[9][10]

Following the witch's advice, Conan and Subotai go to Shadizar, in the land of Zamora, to seek out Doom.[11] They meet Valeria, a female brigand, who becomes Conan's lover. They burgle the Tower of Serpents, stealing a large jewel—the Eye of the Serpent—and other valuables from Doom's snake cult. After escaping with their loot, the thieves celebrate and end up in a drunken stupor. The city guards capture them and bring them to King Osric. He requests they rescue his daughter, who has joined Doom's cult. Subotai and Valeria do not want to take up the quest; Conan, motivated by his hatred for Doom, sets off alone to the villain's Temple of Set.[12]

Disguised as a priest, Conan infiltrates the temple, but he is discovered, captured, and tortured. Doom lectures him on the power of flesh, which he demonstrates by compelling a girl to leap to her death. He then orders Conan crucified on the Tree of Woe. The barbarian is on the verge of death when he is discovered by Subotai and brought to the Wizard of the Mounds, who lives on a burial site for warriors and kings.[13][14] The wizard summons spirits to heal Conan[15] and warns that they will "extract a heavy toll", which Valeria is willing to pay. These spirits also try to abduct Conan, but he is restored to health after Valeria and Subotai fend them off.[13]

Subotai and Valeria agree to complete Osric's quest with Conan and they infiltrate the Temple of Set. As the cult indulges in a cannibalistic orgy, the thieves attack and flee with the princess. Valeria is mortally wounded by Doom after he shoots a stiffened snake at her. She dies in Conan's arms and is cremated at the Mounds, where Conan prepares with Subotai and the wizard to battle Doom. By using booby-traps and exploiting the terrain, they manage to kill Doom's soldiers. Valeria reappears for a brief moment as a Valkyrie to save Conan from a mortal blow.[7][16] Conan recovers his father's sword during the fight, although its blade is broken. After losing his men, Doom shoots a stiffened snake at the princess. Subotai blocks the shot and the villain flees to his temple.[17]

Conan sneaks back into the temple where Doom stands at the top of a long stairway, addressing the members of his cult. Conan confronts Doom, who attempts to mesmerize him, but the barbarian resists and uses his father's sword to behead his nemesis. After throwing Doom's head down the stairs, Conan burns down the temple.[17] He returns the princess, and the final scene shows him as an old king; the narration says his road to the throne is another tale.[18]

一直對老電影沒什么太大的愛好，自從前段時間看了“夜訪吸血鬼”，里面的阿湯哥不是一般的給力啊，個人覺得該是他最經典的一部電影了。之后就萌生了看巨星出道時的作品的想法——阿諾的“終結者2”無非是最經典的作品之一，在這之前還有什么呢，然后就搜到了這部電影
關于阿諾的肌肉沒什么好說的，而同樣是史詩題材的電影，巨石強森演的“蝎子王”感覺就好一些，從取材到配置，比這部電影都好不少。
而最后場景的設置也不怎么喜歡——也許是我們不能理解《荷馬史詩》吧，換做美國人可能就不一樣了。最后一幕充分展示出了作為一個“野蠻人”該有的全部特質——出于嫉妒的憤怒和復仇之心而砍殺那個人，雖然之前遲疑，那是靈魂中的理性部分在抗爭感情的欲望，只是還是失敗了，感情戰(zhàn)勝了理智。這樣的題材怎么能起到感化人的作用呢？怪不得柏拉圖會批判荷馬，說他根本就不知道什么是真知，他做的只是純粹的模仿——所以他的故事不應該被我們頌傳，更不應該讓我們去學習！

記得小時候父母管教的嚴，只允許周六看電視，正好這周周日父母都值班，偷偷打開日立彩電發(fā)現(xiàn)電視報很準，字幕真的打的是《野蠻人柯南》……一小時間小小的我徹底被美式奇幻電影深深吸引了，正到柯南獨闖蛇潭復仇的激烈時候來了個22點插播新聞，我以為這是防止全國孩子偷看電視而停播了就怏怏的睡覺去了……第二天老爸偷偷問我“昨天那電影好看吧？！后來精彩把那大蛇的頭都砍掉了！……”那是92或94年吧，那后半部電影成了我永遠的夢……

   片子很老了，考慮到那時候的技術所以我打了三星，不然只給兩星。阿諾年輕的時候依舊是個壯漢、肌肉男。
  那個演公主的長得還可以。結局也是，本來可以在山丘那里大戰(zhàn)就可以結束了，非要加一段異教徒集會，我x。。。