Genre cinema lends itself to fruitful experimentation and Vourdalak is a prime example, offering ample opportunities for it along with dark, profound chills and a delightful Gothic atmosphere. A father returns from the war to his children (now as a vourdalak), dead yet alive, while simultaneously, an envoy of the King of France arrives at their secluded forest home. Profoundly ...
無(wú)論啥類(lèi)型都看的老影迷打卡記錄完畢~
3.3格拉斯哥電影節(jié)。膠片的色彩和質(zhì)感很好,像是1970年代的老電影的感覺(jué)。和原著相比改動(dòng)挺多的,并不怎么恐怖。算是封建大家族的悲劇(?)里面的人各有各的癲,看全員發(fā)瘋一個(gè)半小時(shí)也挺累人的。
割裂
膠片質(zhì)感很棒,喜歡結(jié)尾
畫(huà)面很美,男主最后支棱起來(lái)了
爛
我喜歡關(guān)于吸血鬼的隱喻,愛(ài)是一種詛咒,現(xiàn)代家庭關(guān)系的展示,情感的進(jìn)退維谷。不要在不了解這個(gè)世界前就離開(kāi)它。(膠片的高光真美好。
膠片色彩;畫(huà)面構(gòu)圖;棒
膠片和吸血鬼最配了,閑了找原著看看