首先，朱利安摩爾真的太美啦！是九幾年的電影的劇情為主導(dǎo)的很像短篇小說的風(fēng)格，故事講得不錯，希區(qū)柯克式的，觀眾知道炸彈在哪里，為主角擔(dān)心的講述方式，算是中規(guī)中矩不算太出彩?？吹耐瑫r我一直想到一部講第三者插足的九幾年的電影，還有《孤兒怨》，都是在正常的家庭中出現(xiàn)了隱秘地破壞性的人物，但是不管是那部九幾年的電影，還是孤兒怨，都比這一部要出彩，前一部的人物動機(jī)和心理狀態(tài)非常合理，比這一部的破壞性角色的動力要來得復(fù)雜和正當(dāng)，也更貼近日常生活。而后一部更是以打破觀眾對孩子的柔弱的預(yù)期來破題，給人很強(qiáng)的震撼。本片只能說故事的節(jié)奏很好，看出來是會講故事的人，但是人物的設(shè)定不那么出彩，整個故事也比較流于套路?？偟膩碚f不錯。

1992年的美國犯罪佳作《推動搖籃的手》，盡管是比較老派的一部驚悚片，還有美女裸露的香艷大尺度鏡頭，卻通過一位蛇蝎女對中產(chǎn)階級的復(fù)仇故事，在劇本、攝影、剪輯、打斗都拍出了驚艷，既有R級爽片的刺激感，又暗藏著諷刺！

克萊爾在產(chǎn)檢時候，覺得婦產(chǎn)科醫(yī)生莫頓模自己胸，動作有點猥褻，便控告對方犯罪！沒想到導(dǎo)致了后者的自殺，甚至莫頓的太太亦因此流產(chǎn)，再也無法懷孕。這位遺孀為了復(fù)仇，干脆假扮保姆，去女主角家“鳩占鵲巢”，從此危機(jī)四伏。

瑞貝卡·德·莫妮飾演的莫頓太太，擁有金發(fā)碧眼的美貌，看似人畜無害，眼神卻清澈中透著犀利，內(nèi)心陰暗歹毒，她的表演堪稱驚艷。這位蛇蝎復(fù)仇女能很好地將切膚之恨隱藏在親切溫和的外表之下，輕松獲得了仇人一家的好感！

克萊爾和邁克爾夫婦看似是衣食無憂的有錢人，卻透著一股居高臨下、自以為是、虛偽乏味的蠢勁兒。例如他們雇了一個弱智的黑人做幫工，以彰顯愛心，骨子里卻不信任他。對于兒女的生活，夫妻倆也關(guān)心不夠，給敵人有機(jī)可乘！

女保姆先從孩子下手，學(xué)校里誰欺負(fù)了女兒，她就去教訓(xùn)對方，從而博得好感；她有意無意地利用性感的軀體，對男主人進(jìn)行挑逗，并勾搭出軌；她甚至半夜起來喂奶，逐漸讓嬰兒脫離對母親的身體依賴，進(jìn)而造成骨肉生疏！

她偷竊并撕毀男主人的快遞信件，從日常閑聊中得知男主人與閨蜜的往事，用打火機(jī)進(jìn)行離間；看見口舌笨拙、忠心不二的黑人建筑工偷窺自己喂奶，為避免事情敗露，她就把小女兒內(nèi)褲放進(jìn)黑人房內(nèi)，挑撥離間，轟走了對方！

奧斯卡影后朱麗安·摩爾客串了女主角的閨蜜，也是男主人的初戀，她身為房地產(chǎn)女強(qiáng)人，同時也不忘在百忙之中取悅丈夫，對好友更是推心置腹、兩肋插刀。正是她提醒了女主角：“晃動搖籃的手，就是操控世界的手！”

女主角家里蓋了溫室花圃，每天去植物園購買新鮮花種，并定做了一個上面插著鳥窩的長桿子，等著燕子回巢，這明顯是有錢瞎折騰的擺設(shè)！偏偏等女閨蜜發(fā)現(xiàn)陰謀，女保姆就靠誘騙對方進(jìn)花圃，弄碎玻璃搞陷阱殺她，在殘忍中透著諷刺！

周圍的同事也不斷地說：“這么好的保姆從哪找的，給我也找一個！”，男女主角起初也被假仁假義的蛇蝎女迷昏了眼。直到閨蜜死后，嬌妻才發(fā)現(xiàn)家里一切都被蛇蝎女控制了，才開始絕地反擊！靠著所有人奮起死磕，才驚險地消滅了她！

曾拍攝《洛城機(jī)密》《8英里》的導(dǎo)演柯蒂斯·漢森看似在拍邪不壓正的驚悚片，實則諷刺了中產(chǎn)階級的虛偽和愚蠢！從克萊爾猜疑黑人侵犯女兒，懷疑閨蜜跟老公有一腿，以及當(dāng)年老公鼓動她去報警，昔日的“性騷擾”指控弄不好是誣告！

當(dāng)親情、友情、愛情都經(jīng)歷了嚴(yán)峻的考驗，反而黑人的報恩則是“好人”有好報！畢竟一家人為智障的他提供了工作，并送給他一部夢寐以求的自行車，這導(dǎo)致后者被驅(qū)除后，依舊做他們的隱身保鏢，這才在關(guān)鍵時候搭救眾人，洗清嫌疑！

本片的情節(jié)曲折，收放自如，扣人心弦，懸疑感絕佳！前面讓人痛心，中段讓人擔(dān)心，結(jié)尾讓人安心，兩位靚麗女主角的身材都很性感火辣，令人大飽眼福！

影評原文鏈接

Directed by Mercedes Bryce Morgan, Shudder’s “Spoonful of Sugar” revolves around a 21-year-old medical student, Millicent, who is working on a thesis that focuses on children with severe allergies. When she sees an “ad for babysitter wanted” for Johnny, who is allergic to almost everything in existence, she responds to it. Johnny’s mother, Rebecca, writes books about lovemaking, and his father, Jacob, is a carpenter. Since Millicent is good with Johnny, his parents decide to hire her. Soon after, we learn that Millicent actually goes to therapy under Dr. Welsh, who gives her small doses of LSD to keep her lucid. In addition to that, Millicent doesn’t have a family of her own, and she lives with her foster father, Roger, who is interested in having a romantic relationship with her. Millicent is adamant about keeping her job at Rebecca’s, so she tries to manage the issues in her personal life while being there for Johnny. However, things go very badly, very quickly.

Major Spoilers Ahead

What Was The Result Of Giving LSD To Johnny?

It’s made pretty clear by the makers of “Spoonful of Sugar” that Millicent is always high off her rocker because she’s taking LSD. It’s seen as a means to disassociate from her reality. But since she takes a lot of it, she hallucinates quite a bit. Some of those hallucinations are quite regular, and then there are others that are kind of erotic in nature, thereby hinting at her sexual awakening. She’s very obviously attracted to Jacob, and she senses Rebecca’s estranged relationship with both Johnny and Jacob. I mean, Rebecca tries to be there for Johnny and Jacob in every possible way. However, it never seems to work out. That’s why Millicent thinks she can replace Rebecca permanently and start her own family, something which is proven by her intense self-stimulated dreams. Her assumptions about Rebecca’s position in the family are proven right by her growing distance from Johnny and Jacob. And Millicent takes a big swing at getting Johnny over to her side by giving him LSD through his medications.

Millicent’s working theory is that since the LSD has helped her to see things “clearly,” and since Johnny doesn’t perceive the world in a straightforward fashion, the drug is going to help him out or at least bring him to her level of consciousness. Initially, Johnny seems to be doing nothing more than tripping out of his mind. But after nearly getting pancaked by Jacob and Rebecca’s car, he utters the first word of his life: “mommy.” Now, what would’ve been a moment of pride and elation soon turns into one of horror as Rebecca realizes that Johnny isn’t calling her “mommy” and is actually referring to Millicent. Infuriated by this sequence of events, Rebecca tells Millicent to get the hell out of there while interrogating a high-to-the-sky Johnny about his odd behavior. Does this mean that the movie is saying that addictive and dangerous drugs can help a kid with a fear of having allergies? I don’t think so. It’s a bonkers premise, and all the characters are weird and off-putting. There’s no real-world logic at play here. So, don’t try to look into it too deeply.

Did Millicent Kill All Of Her Foster Fathers?

After the LSD and “mommy”-calling incident, Jacob drives Millicent to her home, and they decide to put their inhibitions on the back burner and get physically intimate. This irks Roger very much, as Millicent was supposed to cater to him and him alone. It’s because of this agreement that Roger probably killed his wife. Anyway, when Roger starts to insist on getting some kind of pleasure out of Millicent, she obliges because, in her head, she can beeline straight into Jacob and Johnny’s household and replace Rebecca. Since Roger is the only one who is keeping her from doing that, she needs to get him out of the way. So, she does the most obvious thing: she chokes Roger to death and then buries him in the backyard beside his rotting wife. That’s not one of the main twists, though, because it was expected of her to do so at that point. The twist that triggers the third act is that Millicent is actually a serial killer who has killed all of her former foster fathers.

Early on in “Spoonful of Sugar,” we see Millicent toying with a diary or a decorated Bible after doing drugs. She keeps it atop her ceiling fan, which means that she doesn’t want anyone to find out about it. After killing Roger, we see that each page of that diary is dedicated to a foster father she has killed. Jake was apparently her first victim, and he was guilty of lying about liking her. Then there was Simon. The reason why he was killed is unclear. Andrew was killed for liking Millicent’s legs. While flipping through the pages, we see the recurring motif of the man with goat horns before coming across a page for Dr. Welsh, who eventually ends up dead for putting his hands on her. And then we finally arrive at Roger’s page, which is decorated with a lock of his hair. So, in case it’s not apparent, Millicent has been transferred from one foster family to another ever since she was a kid, and all of them abused her in some way or another. This likely traumatized Millicent to a frightening degree, thereby leading her to depend on drugs and death to stay functional. Since she’s addicted to both of those practices, she is unable to stop herself from taking things to the next level.

‘Spoonful Of Sugar’ Ending Explained: Was Johnny Also A Serial Killer?

Millicent sets the stage for the third act by getting intimate with Jacob in the backyard while Johnny watches them and screams into the void. Since Johnny likes to draw, he starts making sketch after sketch of Millicent and Jacob doing naughty stuff in the garden. This angers Rebecca, and she prevents Millicent from resuming her job as the babysitter. Millicent initially tries to force her way into the house again but is stopped by Rebecca. Then she tries to win Jacob over to her side by seducing him. While all this is going on, Johnny attacks Rebecca with the knife that Millicent gave him. Rebecca manages to trap Johnny, takes her own knife, and then stabs Millicent. While bleeding out, Millicent gets to the porch where Johnny is standing after reacquiring his knife. And although it looks like Johnny is going to help out Millicent because he is so attached to her, the demented kid proceeds to stab the life out of his babysitter as Jacob and Rebecca look on in horror. Once Johnny is done, it becomes clear that Jacob and Rebecca aren’t horrified. They’re just tired yet another babysitting cycle has come to a disappointing end.

As suggested by the end credits, Johnny is actually a serial killer with an Oedipus complex. He probably doesn’t have any such allergies, and it’s highly likely that he is a full-blown psychopath. Jacob and Rebecca are evidently fed up with taking care of him themselves. That is why they hire a babysitter and hope that Johnny doesn’t kill her. But as soon as Johnny gets too familiar with the girl and starts to see her as his mother, things go wrong, thereby forcing the parents to bury them in the backyard. It’s insinuated throughout “Spoonful of Sugar” that the reason why a babysitter doesn’t last long is because of Jacob’s infidelity (his affair with Millicent is probably the first and the last one). However, the real cause is Johnny himself. It’s a pretty good last-minute twist because Bryce Morgan and Leah Saint Marie were painting Millicent as the villain of the story, and she was quite villainous. It’s only that Johnny was much more villainous than her. I think that the big message that you should take from this film is that you shouldn’t do drugs, especially if you need therapy. Also, do not go to a therapist who suggests you do LSD. In addition to all that, if you want a triple-feature suggestion, watch “Spoonful of Sugar” with “The Hand That Rocks the Cradle” and “The Nanny.”

這個保姆的丈夫是醫(yī)生因為被懷第二胎的女主指控性騷擾自殺了。自己也流產(chǎn)再也不孕就跑到主角家當(dāng)保姆來復(fù)仇了。這保姆很聰明一邊跟這家人搞好關(guān)系，一邊又暗中行動搞破壞。撕掉男主計劃書，溫室里制造意外，把女主的哮喘器噴干這些的。還有分裂這個家庭的和睦。然而卻不想自己給這家人送的風(fēng)鈴卻成了暴露身份的關(guān)鍵。最后保姆摔下樓被柵欄扎死也算是美好的結(jié)局了。這電影里的黑人也算是個關(guān)鍵人物。最后來的很及時。