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天堂孤影

劇情片芬蘭1986

主演:馬蒂·佩龍帕  卡蒂·奧廷寧  薩卡里·庫斯曼嫩  埃斯科·尼卡里  Kylli K?ng?s  Pekka Laiho  Jukka-Pekka Palo  Svante Korkiakoski  Mari Rantasila  Safka Pekkonen  Antti Ortamo  馬托·瓦爾托寧  Sakke J?rvenp??  Ulla Kuosmanen  Neka Haapanen  阿基·考里斯馬基  

導(dǎo)演:阿基·考里斯馬基

播放地址

 劇照

天堂孤影 劇照 NO.1天堂孤影 劇照 NO.2天堂孤影 劇照 NO.3天堂孤影 劇照 NO.4天堂孤影 劇照 NO.5天堂孤影 劇照 NO.6天堂孤影 劇照 NO.13天堂孤影 劇照 NO.14天堂孤影 劇照 NO.15天堂孤影 劇照 NO.16天堂孤影 劇照 NO.17天堂孤影 劇照 NO.18天堂孤影 劇照 NO.19天堂孤影 劇照 NO.20
更新時(shí)間:2023-11-21 16:22

詳細(xì)劇情

環(huán)衛(wèi)公司垃圾車駕駛員尼卡德(Matti Pellonp?? 飾)的老同事計(jì)劃籌資組建自己的環(huán)衛(wèi)公司,邀請尼卡德技術(shù)入股,但老同事不久急病突發(fā)身亡,尼卡德的生活重回一潭死水狀態(tài)。尼卡德心有不甘借酒滋事,在被拘留的時(shí)候結(jié)識(shí)日后的同事米卡拉。米卡拉偶而會(huì)不識(shí)趣的妨礙尼卡德暗地追求超市售貨員伊羅娜(Kati Outinen 飾),但他仍是尼卡德最可依賴的朋友。伊羅娜為報(bào)復(fù)超市經(jīng)理偷走了錢盒,尼卡德幫助她找到服裝店的新工作,服裝店經(jīng)理夾到尼卡德與伊羅娜的關(guān)系中間,但尼卡德最終奪回了自己的愛人。   本片獲1987年芬蘭電影尤西獎(jiǎng)最佳影片獎(jiǎng)。是導(dǎo)演郭立斯馬基(Aki Kaurism?ki)無產(chǎn)階級(jí)三部曲的第一部。

 長篇影評

 1 ) 給我一杯斷腸酒

“給我一杯斷腸酒”是我下載電影版本里面的一句臺(tái)詞,翻譯得準(zhǔn)不準(zhǔn)確尚且不論,但這個(gè)通常出現(xiàn)在宋詞里面的詞語卻給這部本來有些酸楚苦澀的電影增添了些許黑色幽默的滋味感覺。
導(dǎo)演拍了三部曲,而且是讓很多人不齒的藍(lán)領(lǐng)三部曲,藍(lán)領(lǐng)在中國意味著什么?意味著一輩子不見天日,又或者是抬不起頭做人,在朋友聚集的時(shí)刻還要扮演被人奚落嘲笑的角色,這真是可怕。我從來就很抗拒藍(lán)領(lǐng),在看這部電影之前,但當(dāng)我看過之后,我并不覺得做一個(gè)藍(lán)領(lǐng)有什么令人不妥的地方了,只不過,是在芬蘭,又或者是在天堂里面。
芬蘭是諾基亞的故鄉(xiāng),不知道這家公司每年能從中國人手里掏出多少人民幣外匯,電影里面的芬蘭并不像我想象中的那樣漂亮,甚至不干凈。
藍(lán)領(lǐng)們每天一大早起床上班,比如電影里面的男主角,他是收垃圾的,這些人穿著制服,開車,上路,停車,收垃圾,中午吃午飯,然后在日落時(shí)分下班,結(jié)束一天的生活。
簡簡單單的生活有什么不好,而男主角的朋友,一個(gè)干了幾十年的老男人這時(shí)異想天開要開一間公司,還想好的廣告詞什么“值得信賴的垃圾回收,始于1986”這真是瘋狂的事情,而且這個(gè)雙眼浮腫發(fā)黑的老男人還有一個(gè)令人叫絕的理由,他不想死在車輪下,他要死在辦公桌后面。死就是死,死在哪里又有什么區(qū)別呢。
結(jié)果,他真的死在車輪下,導(dǎo)演那個(gè)鏡頭剛好是他躺在車輪下面,頭靠在車輪邊上。
收了幾十年垃圾,到最后死也死在垃圾場里,如果這個(gè)人生下來就知道他要干這個(gè)干一輩子,連死都要和垃圾在一起,他一定會(huì)想的更多。
男主角,這個(gè)男人是導(dǎo)演的御用主角了,導(dǎo)演的每部電影好像都有他,這個(gè)其貌不揚(yáng),有點(diǎn)小滑稽的背頭,頭發(fā)留的還挺長。
電影里本來簡單的生活被一個(gè)超市女員工打破了,他和她相戀之后,他以為自己可以重新開始一種新的有些意義的生活,他每晚都去上課所學(xué)的英語說不定可以派上用場,他們可以到一個(gè)更好的地方,他找一份更好的工作,他們結(jié)婚。
但是,幾天的歡愉之后,她還是覺得沉默單純的他沒有意思,她又離開他,尋找新的自由。
“給我一杯斷腸酒”于是,當(dāng)他的胖同事來找他一起上班的時(shí)候,他帶著墨鏡直躺在床上。當(dāng)他說他死也不去的時(shí)候, 下一個(gè)鏡頭又直接切到影片開頭那組工作的畫面,男主角還是機(jī)械地站在垃圾場的尾部,右手拉動(dòng)滑桿。
音樂也無法讓他釋懷失戀的痛苦,他還是想著那個(gè)讓他心動(dòng)的女孩,于是他不顧一切地找到了她,要與她一起離開那個(gè)傷心失意的地方。

末尾 ,輪船在陰霾寒風(fēng)細(xì)雨中緩緩駛向遠(yuǎn)方,深藍(lán)的海水在風(fēng)中起伏滾動(dòng),一首老式的搖滾歌曲響起,就像歌詞里面所說的那樣:“生活本來就是痛苦的……”他們的未來也終究逃不過苦難,但他們很快樂,因?yàn)樗麄冋业搅松钪姓嬲档谜湎У臇|西。





















 2 ) 光

這是一部怎樣的電影?

我想,這是一部講“光”的電影。

男主的老同事受不了平庸無為的底層生活,意欲創(chuàng)業(yè),并拉上了男主,男主的黯淡的生活出現(xiàn)了一抹光。只可惜世事無常,伴隨同事逝去,光消失了。

男主對眼前的黑暗感到無助,迷惘,痛苦。直到他遇見了他的好友和女主,生活的光又出現(xiàn)了。

伴隨著一系列的事情,這光時(shí)而黯淡,卻總是能夠被不懈的點(diǎn)亮。最亮的光還是愛情,還有同樣耀眼的光,是友情。

男女主偶然相遇,似乎是一見鐘情。兩人同處于社會(huì)底層,為他人所擺弄。但這些并不影響他們追求愛情。而且,在愛情之光每每快要消散之時(shí),二人都能夠脫離種種束縛,追求自己所愛,維護(hù)這亮光,并使之更為耀眼奪目。

同樣,男主與他的朋友,艱難時(shí)刻相遇,始終互相幫扶。特別是他朋友借錢給他那一段,讓人感受到了二人深深的情誼。友情的光啊!

最后,男女主登上了去塔林的船,想追求無產(chǎn)階級(jí)的光。

電影讓我看到了在看似充滿著光的北歐國家,底層人民的或平庸或悲慘的命運(yùn)。(或許現(xiàn)在有所改變?)看見了對階級(jí)分立的不滿,一些場景與情節(jié),充滿了諷刺的味道。

然而,二人前往蘇聯(lián),情況真的會(huì)有改善?對于二人接下來的命運(yùn),我無法想象,但我感受到,更冰冷的未來無光可能正在等待著他們。

但是這些對他們來說,似乎也沒有那么重要了。畢竟他們已經(jīng)有了人世間最耀眼的光。愛情,足以驅(qū)散一切的黑暗。

片尾曲很棒。

 3 ) 《天堂的孤影》

阿基·考里斯馬基的電影,背景音樂十分溫暖,例如《沒有過去的男人》,記得阿茂在訪談中推薦這部電影時(shí),我興奮得像個(gè)有巧克力吃的小孩,因?yàn)榍『米约簞偪赐瓴痪茫衤牭剿f“達(dá)達(dá)主義”一樣充滿驚喜。雖然自己比較膚淺,卻仍不自覺想要夸這些音樂帶著藝術(shù)性,能穿透電影本身給予的“悶”的體驗(yàn)而產(chǎn)生一種“這樣真好”的欣慰。

似喜劇非喜劇,其實(shí)故事本身如果放在現(xiàn)代都市劇中會(huì)十分庸俗,失憶的男人拋棄過去來到異地,重新開始生活,愛上一個(gè)這里的女人然后再也沒有離開。無論多大的篇幅講述這里的簡單樸實(shí)和善良的人們,都沒辦法遮掩故事本身的天真。但電影就是有一種幽默而讓人愉悅的氣氛,色調(diào)復(fù)古,配合巧妙的節(jié)奏,讓人覺得美好。高大而壯實(shí)的男主,和這里的人們其實(shí)有點(diǎn)格格不入,卻也十分容易便適應(yīng)起來。遮風(fēng)避雨的集裝箱房子,有雜草蟲子的鄉(xiāng)間小路,有狗叫和鳥鳴的空間環(huán)境,還有海風(fēng)有太陽,有音樂有勞動(dòng),有熱水,也有一葷一素。算是為數(shù)不多的有最原始最簡單生活的電影。

如果說《沒有過去的男人》是關(guān)于逝去和希望,那《天堂孤影》是關(guān)于孤獨(dú)和希望。前者全片都帶著獨(dú)特的幽默的輕松,而后者雖說不沉重,但感受到的豁達(dá)或許都是“犬儒主義”的認(rèn)輸。不過有意思的是,導(dǎo)演關(guān)于男主求愛的描寫和約會(huì)的場景都有點(diǎn)固執(zhí)笨拙,非??蓯?。

《天堂孤影》里人們的生活,單調(diào)乏味,讓你甚至沒有辦法去傷感,因?yàn)榱硪环N感受是,這好像是絕大多數(shù)人習(xí)以為常并不自覺的模樣。認(rèn)識(shí)的零星的人,每天吃同樣的食物看可能類似故事的報(bào)紙,說不定在城市里日復(fù)一日行進(jìn)的軌跡也從未有過偏離,以一種從未曾懷疑過的面貌和狀態(tài)呈現(xiàn)在眼前。從如此瑣碎的平凡中,如果去質(zhì)問生活的意義,談這千百年來,人類發(fā)明的科技,建造的穩(wěn)固而繁華的城市,都似乎可笑起來。談什么星辰宇宙,天涯大海,即使談腳下正在走的路,都是虛無,95%以上,活著就只是活著而已。

而活著就是一件非常正常的事情,即使有轉(zhuǎn)折和意外,也只是平靜的發(fā)生著。這種轉(zhuǎn)折的節(jié)奏導(dǎo)演控制得挺好。

男主的同伴是一個(gè)長達(dá)25年工齡的垃圾工人,想要通過5輛卡車開始創(chuàng)業(yè)生涯。他說“我不想死在車上。”創(chuàng)業(yè)謀劃似乎順利,銀行會(huì)貸款,車庫已租好,廣告詞是:可信賴的垃圾處理,始于1986年。他說“我向妻子許諾要帶她世界旅行?!比欢@家伙在這一天收垃圾的時(shí)候,倒在垃圾車旁邊,死了。

男主去酒吧喝酒有點(diǎn)想念逝去的同伴,因被店家瞧不起憤怒地搞破壞,而后帶著在看守所認(rèn)識(shí)的一個(gè)新伙伴,繼續(xù)自己收垃圾的生活。本以為之后的故事不過是《人鼠之間》的流浪者般,各自孤獨(dú)各自悲涼。但好像沒有往下滑。這家伙和這個(gè)女銷售員產(chǎn)生了情感聯(lián)系。愛果然是生活中為數(shù)不多的能給人有以極大心里安慰的存在。其實(shí)可能這個(gè)垃圾工人也并不知道自己去夜校學(xué)習(xí)英語有沒有意義,他可能從來沒有想過這一點(diǎn)。但當(dāng)他念出“我從很多個(gè)角度考慮過愛情,比如傷害和不完美也是一種樂趣,而身在其中的人都很嚴(yán)肅?!本妥屇阌X得,這一切挺有意思。

“我什么都不需要。我是尼卡德,以前是屠夫,現(xiàn)在收垃圾,牙齒和胃都不好,肝也不行了?!睕]有過多虛妄的夢想,卻有思念一個(gè)人的味道。沒有多少驚奇的變化,卻也能找到一點(diǎn)點(diǎn)屬于他這樣無產(chǎn)階級(jí)困于貧窮之中的浪漫。

他的新同伴,看著男主坐上那艘駛向遠(yuǎn)方的船。希望在最后一刻點(diǎn)燃。

考里斯馬基的電影是悶的,但這些悶是有出口的。

 4 ) My Questions on Shadows in Paradise

Actually this is one of my assignments from my foreign teacher who recommended us to watch and ponder on the film. I use plain language to share some of my thoughts here with you and hope you guys will enjoy it!

Feel free to comment!

Questions:
        How to understand the characters in the movie Shadows in Paradise?
        What does the ship which is going off at the end of the movie symbolize?

Possible Answers:
        After watching the film first time, I felt it a comedy with happy ending. However, when I watch the film a second time, I feel depressed, and I have a totally different feeling from the first time. I regard it as an ideal dream of the working class rather than a simple comedy of the workers. This film reminds me of The Flies, which we’ve read last semester. Both of the film and the article are talking about the stories of the same class, the lower working class, which has nothing glamorous but unique. As we all know, paradise represents a bright and joyful image, so how come there are some shadows in paradise? This is the question occurred to me when I first read the title of the movie. Trying to understand the film and the theme, I approach to the understanding of the characters first.
        In the movie, there are two main characters and four other characters. I’d like to divide them into different groups according to the different criteria for the sake of better understanding of the characters.

                 Attitudes towards Life

1.Positive: Make a change
2.Negative: Stay in comfort zone

        According to the attitudes towards life, I categorize the characters into two groups: make a change and stay in comfort zone.
    What I’m most impressed by this movie is that the characters’ desire to make a change. Firstly, the coworker of Nikander, who had a dream to travel around the world with his wife, wanted to run a company by himself. He was fed up with the current job for twenty-five years and he was longing for change. He was so positive towards life, but he worked too hard and prepared a lot for his dream. He even died when he was working. This makes me think of those events in nowadays society, which are the premature deaths of the elites in society. As we all know, if we want to gain something, we have to pay the price sooner or later. However, those premature dead people are working too hard to stand. Although they are positive towards life and willing to make a change, they overwork to make up the lost. Their attitudes towards life should be appreciated, but their method of wealth accumulation should not be complimented. As Confucius has said, enough is as good as a feast. We should be satisfied when we have enough sources. This is probably a correct method of making a change.
        Secondly, the main character, Nikander, is also a member of the positive group. He was willing to be a foreman when his coworker suggested him to be and he learned English after work in order to improve himself. He kept on trying, kept on making a change even he was only a garbage collector, a blue-collar worker. Even though he hadn’t a decent job, he kept everything of his life in order: he went to work on time every day, cooked dinner for himself, and folded his clothes tidily. In my opinion, arranging one’s daily life in order itself is a kind of positive act. The others may have held him in contempt, but the most important thing is that he never looks down upon himself and he is always positive towards life.
        Last but not the least, the partner of Nikander, a jobless person who was arrested in the jail before, was positive as well. He was willing to work and wanted to make a change in his life. He began changing from getting a job, helping Nikander, visiting Nikander when he was crossed in love and taking care of Nikander when he was in the hospital. They were trying to make a change in their life and struggling in the working class.
        In this movie, the characters, though in the inferior status and lower working class, I think are optimistic towards life except Liona’s attitude was controversial.
        Liona went through a lot but she seldom took action to make a change in the previous half of the movie. When she was fired for no reason, she chose to steal the money box and avoid the reality. She requested Nikander to drive her out of the town. In my viewpoint, if she really wanted to make a change, she should use some practical and legal methods rather than this illegal and negative means. Because she must know the result that she would stand accused of theft by the police after she returned home. That is to say, she must know this act will not work and all these would be in vain at the start of her plan. So what’s the point doing this if she really wanted a change in life? She could have appealed to law or the Labour Union for getting a reasonable reply of her unemployment. But she didn’t. From this aspect, she seemed to be negative towards life because she just tried to avoid the cruel reality.
        However, taking her act at another thought, she was still trying even when she was sure to fail. She attempted to make a change and get hold of her own life, though the method she adopted didn’t work. Thus we may interpret this act as a positive attitude of her deep heart from this aspect. What’s more, she was still positive towards life when she chose to leave with Nikanda in the end. This was also an act that she tried to make a change in her life. Probably getting on the ship with Nikander was a signal of revolution.
        To sum up, Liona had both of the positive and negative attitudes towards life which made her attitude controversial. Above all is how I understand the characters from the perspectives of attitudes towards life.

                 Social Status

          1.Upper Class
          2.Lower Class
        
        This movie is mainly talking about the life in the lower working class. The major characters are just like the representative of the lower class in society. They don’t have decent job or well-paid salary, let alone the high-class network in society. They looked more serious and sober. Liona, was the most typical characters of the lower class. She seldom showed a smile on her face, probably because there was nothing worth smiling about in the life of lower class. We know the life of the lower class from her. She was fired the third time for no reason; she turned to steal for revenge because she was unemployed; she had to live in Nikander’s house for accommodation; she had to find a job with the help of men; she had to eat hamburger besides the road rather than have dinner in the restaurant. Those people in lower class had something in common with her.: they haven’t got steady jobs and networks to help.
        Like Liona, Nikander was also a typical character in the lower class. He was looked down upon by the waiter in the restaurant and the manager of the shop because his dress and job. Through their life, we know the life of lower class is full of bitterness and prejudice. This environment is like the shadows existing in society. Anything glamorous doesn’t belong to them. We’re usually attracted by the paradise, the halo of upper class; however, after watching the film, I know that we can’t overlook the shadows, the dark side of society.
        Unlike the lower class, the people in the upper class enjoyed the well-paid salary, stable job and the better quality of service. The manager of the clothes shop could be categorized into this group. He could offer Liona a job; he could have dinner in the restaurant and never bother whether there was a seat or not. The people in upper class enjoy the privileges and live a more comfortable life than those in lower class.
        This is how I understand the characters from the perspective of different social status.

               Attitudes towards Love

         1.Confused
         2.Persistent

        The love story served as a main thread through the whole movie. To understand their attitudes towards love is of great importance. Liona was confused about love when she was in the crossway to make a decision between the manager and Nikander. These two alternatives represented bread and love, the permanent topic in our reality. She was so confused that she didn’t know which to choose. Bread or love, that is a question. Liona first was a realistic lady when she chose the manager, the bread in life. Because she knew she could not live without a job and money. I quite agreed with her first decision. After all, life is cruel. However, she finally looked into her deep heart and found out the real answer, the true love in human. She chose to believe in the power of love so she took an act to leave with Nikander in the end. This is her final decision and attitude towards love.
        Concerning love, Nikander was everything that Liona wasn’t. He was persistent, faithful and loyal to love. He let Liona live in his house for shelter; he gave the money back to the manager of supermarket for Liona; he never gave up Liona even when she had another man. His persistence towards love won Liona’s heart eventually.
        This is how I understand the characters from the perspective of attitudes towards love.


        After analyzing the characters in the movie, I have a better understanding of the theme. The ship also which is going off at the end of the movie makes me think a lot. I have to say the director of the film is a genius because he leaves enough space for the audience to ponder and reflect after watching it, especially the ending part, a marvelous job.
        When the ship was sailing out in the end, the audience may think where were they going? How was the future life of them? These are the questions I think about. I believe many other people may think alike.
        On the surface, the ship with Liona and Nikander on it symbolizes the happy ending of the couple. They finally got together and went for the honeymoon. They took an act and made a change in their life regardless of reality. They may probably have a romantic cruise or a fantastic journey. However, is life really so simple? Does their destination really exist? This ending makes me think of the happy endings of the fairy tales. As we all know, the endings of the fairy tales are like this: from now on, the prince and princess live a happy life forever. Nothing more is described about their future marriage life. But we can guess their life full of pressure and trivial daily troubles. They are the noble so they must be under the pressure of royalty and public. What’s more, they have to deal with those daily necessities let which they seldom concern about before marriage. They have to face to the reality after all. Can they live a happy life forever? That ending just can cheat those children who have never taste the bitterness of the life.
        Similarly, Nikander and Liona are like the prince and princess, who have to face to the reality and have to struggle in the shadows of society after their cruise. Life is never so simple that we can find a place without troubles and tensions. The ship at the end of the movie is like our life, which is dynamic and full of uncertainties. Nikander and Liona wish to be happy and out of pressure from work and society. The ship which was sailing away, like floating up to the paradise, can symbolize the hope of a new life, the paradise in their heart. In their minds, the ship will lead them to the paradise, where they can be away from the shadows in society; nevertheless, that place doesn’t exist. Wherever we are, whoever we are, we still have to tackle those troubles in life. The lyrics of the song at the end of the film “l(fā)ife itself is painful” also tell us the essence of life lies more in its bitterness than in sweetness.
        We don’t know what’s going on in their life, but their future is open to our predictions.
        Maybe they will live an undramatic life in the future and everything will like the same as usual when they are back. Liona may be busy with finding a new job; meanwhile, Nikander may do the routine garbage-man work everyday. Although their life is full of dull work and uneasy things, they might still feel very happy and satisfied in deep heart. As we all know, the definition of happiness varies from person to person. Happiness to them may mean the satisfying feeling in their heart rather than wealth and reputation.
        Who knows maybe they will live a dramatic life? Nikander and Liona may find some commercial opportunities during their journey and they might run their own business in the future. Very soon, they may gain a huge amount of money and climb up to the upper class.
        What’s more, maybe they live in a much more miserable life than before. Liona may probably lose the job and have to struggle in job searching when they are back. Society is competitive and tough. If there is no vacancy for her, she won’t probably earn a living. The same case may also happen to Nikander. He is only a blue collar in the lower class and he might be fired someday for no reason like Liona. Then their life will be a mess and miserable.
        The ship gives me a lot of imaginations and these are the three possibilities I can think of about their future.
        Back to the ship, it will lead us to far shore, but we will never know where is our destination and when will we be there. Our life experience is like the ship, sailing in the endless ocean, fighting with the storms, waiting to get to another shore without clear destination. Like Lin Yutang said before, life is like a dream. Everything is changing on the way, but the most important thing is that Nikander and Liona have found out the things that worth cherishing in their life, which is love.
        In a nutshell, the ship symbolizes our life, which is full of ups and downs, and filled with uncertainties. What’s more, the happy ending of the main characters is just a dream and the place where they leave for is the paradise in their hearts, which doesn’t exist.

 5 ) 近于白描,近乎冷漠,卻在眼眸透出渴望而孤寂的底色。

《天堂孤影》。阿基.考里斯馬基。 阿基的電影總是近于白描的手法。人們的表情近乎冷漠,沒有歇斯底里,沒有熱烈奔放,甚至沒有扯動(dòng)大一點(diǎn)的情緒,言語斷然,卻在眼眸透出渴望而孤寂的底色。 沒有大人物,只有在人世間浮沉掙扎的非典型普通人。

如此如此如此如此如此如此如此如此如此如此如此如此如此如此如此如此如此如此

 6 ) 天堂的孤影,浮現(xiàn)著冷冷的幽默與溫情

好普通的電影,明明很無聊,很單調(diào),但就是忍不住想看下去,真實(shí)的讓人共情。我想任何好的作品尋求的不是畫面中虛置的人為的解讀過程,而是心領(lǐng)神會(huì),而是喚起那些自我閱歷產(chǎn)生的共鳴。 小人物的愛情故事,困苦中的浪漫,冷清中的唯美,沒有轟轟烈烈,也沒有撕心裂肺,更沒有要死要活,僅僅是兩個(gè)生活不如意的人相互取暖而已,縱使悲歡離合,卻又平淡純粹,溫暖動(dòng)人。

 7 ) 苦難的生活會(huì)因此改變嗎?

居然這已經(jīng)我看的第四部阿基的電影了,第一部是《沒有過去的男人》、第二部是《火柴廠女工》、第三部是《浮云紀(jì)事》、第四部就是這一部《天堂孤影》,總體都挺喜歡的。阿基和布列松是兩個(gè)極端,布列松影片里的演員從來見不到第2次,而阿基的影片里就是那幾個(gè)演員幾張臉轉(zhuǎn)來轉(zhuǎn)去,也不違和,都是底層小人物。

阿基的電影都是冷靜到極致,甚至悲觀絕望,可是結(jié)尾來了個(gè)反轉(zhuǎn),陰沉沉的天太陽突然就登場了,強(qiáng)制給觀眾一個(gè)明天的希望(除了《火柴廠女工》)。《沒有過去的男人》和《浮云紀(jì)事》里這樣的反轉(zhuǎn)我都能接受,可是這一部還是有點(diǎn)牽強(qiáng),主要是我沒法理解主人公之間為什么會(huì)產(chǎn)生愛。是因?yàn)楣陋?dú)的時(shí)間過長了,需要有人靠近取暖嗎?兩個(gè)生活中如此不得意的小人物走在一起能擦出火花嗎?也許吧!

 8 ) 北歐色彩&駛向社會(huì)主義蘇聯(lián)的船

色彩很北歐 冷 藍(lán)色和黃色的色調(diào)

老舊的房間和舊電器 營造出一種很無產(chǎn)階級(jí)的氣氛

最后駛向愛沙尼亞塔林(當(dāng)時(shí)還屬于蘇聯(lián))的船,上面還有大大的鐮刀錘子標(biāo)記,似乎帶著某種政治寓意——在資本主義的芬蘭工人階級(jí)生活在水深火熱之中,駛向社會(huì)主義的蘇聯(lián)就是駛向天堂呀~~~

如果是在冷戰(zhàn)結(jié)束蘇聯(lián)解體之后再拍的這部片子,或許就完全是另一種意味了吧。。。

 短評

垃圾處理從86年開始,問我想要什么沒意義,你帶給我的只有傷和痛,佛羅里達(dá)只有芬蘭人和唐老鴨,你能養(yǎng)活我倆么小土豆。。阿基典型的風(fēng)格

2分鐘前
  • 琧婯
  • 推薦

“我是來帶你走的,蜜月旅行總不能一個(gè)人去”,真他媽的浪漫。他們未來或許仍逃離不了痛苦,但上船的時(shí)刻他們無比幸福

7分鐘前
  • SundanceKid??
  • 推薦

我居然好喜歡阿基早年的這部!愛是人最后的尊嚴(yán)。男人自語道:“我從很多個(gè)角度考慮過愛情,比如傷害和不完美也是一種樂趣,而身處其中的人卻都很嚴(yán)肅?!苯Y(jié)尾的歌,如同詠嘆調(diào),情感直白:“抬起頭,我的愛人。你看那燈火通明的公園,我的心在思念你,在這里孤單地跳動(dòng)。請快些吧,快回家吧。人生啊,如此短暫??旎貋?,你給了我一切。但愛人啊,盡管我這樣請求。我知道這都是徒勞的,盡管我思念你,日日夜夜。不要迎向我,因?yàn)槟阋仓?,生活只?huì)帶給我們痛苦。別匆匆回到我身邊,這里的陰影會(huì)把你淹沒。別匆忙,看這美麗的世界。在這里,看不見淚水。”

8分鐘前
  • 夜第七章
  • 力薦

不知是否有人會(huì)像我一樣認(rèn)為此片和北野武那部奇妙地互文。芬蘭初夏,陰郁的海...

11分鐘前
  • 雞塔
  • 力薦

開場的赫爾辛基收垃圾佬太酷了,“沒有極限”,“可信賴的垃圾處理,始于 1986 ”。不過這部電影和賈木許那部片子的名字,未免太像了吧。而且我明明沒看過——怎么一直念叨要坐一趟去塔林的游輪呢?

14分鐘前
  • 木衛(wèi)二
  • 推薦

哎呀,壞壞的可耐的阿基大叔阿基大嬸啊……

15分鐘前
  • iceman
  • 力薦

“我什么都不需要。我是尼卡德,以前是屠夫,現(xiàn)在收垃圾,牙齒和胃都不好,肝也不行了?!笔绽哪腥嗣看我姷叫膼鄣呐硕家獛б皇?,要有多愛,才能回答的這么卑微。不許諾未來,全然交代過去和現(xiàn)在,情話無聊又動(dòng)人。

16分鐘前
  • 疼疼(電動(dòng)版
  • 推薦

和《升空號(hào)》其實(shí)差不多,甚至是最后也同樣是以坐船離開圓滿收尾。依然是無產(chǎn)階級(jí)的愛情故事,但可能是三部曲中我最不喜歡的一部了。3.5

19分鐘前
  • 方槍槍
  • 還行

匆匆看了后半段,結(jié)尾覺得很浪漫

21分鐘前
  • Sandrelli
  • 力薦

愛考利斯馬基就是愛一種肥皂劇 演員、臺(tái)詞、調(diào)調(diào) 一萬年不變你也不煩

23分鐘前
  • 皮革業(yè)
  • 推薦

8/10。清垃圾箱時(shí)撿到一張唱片,卑微的苦中作樂也能點(diǎn)燃希望;喜歡男女主角初次相遇那段,她的大紅衣服在冰冷的環(huán)境色調(diào)里格外熱烈,主動(dòng)要求幫他扎傷口,兩人的臉脹得偏紅;餐廳門衛(wèi)、服裝店老板借口阻攔進(jìn)入,飽受打擊的底層仍不把悲傷掛表情上接受憐憫,頂多獨(dú)自醉一場,緘默是他們爭取尊嚴(yán)的方式。

28分鐘前
  • 火娃
  • 推薦

把時(shí)間打亂,《火柴廠女工》重生后變得冷酷無情厭倦男人,碰上了另一個(gè)時(shí)空男版的自己垃圾車男工,兩人結(jié)婚后去了《勒阿弗爾》,過了平淡幸福的幾十年,幫助了一個(gè)黑人小男孩,happy ending。這是阿基的電影宇宙。

31分鐘前
  • 判官
  • 推薦

最后依然是上了一艘大船,那紅色的鐮刀錘子,航向蘇維埃的塔林。年輕時(shí)代的卡蒂·奧廷寧,稍微折騰一下也沒那么丑了。

36分鐘前
  • 巴伐利亞酒神
  • 推薦

老鼠與人類的基因差別只有15%左右,沙發(fā)土豆肥皂劇和考利馬斯基的區(qū)別也差不多,不過前者樂于展示張牙舞爪或面目扭曲,而后者則把那些淺薄完全摒棄,冷的徹骨也熱的灼心。

38分鐘前
  • 托尼·王大拿
  • 推薦

友情 愛情

40分鐘前
  • 還行

考里斯馬基總是很有趣:)

42分鐘前
  • 聞人林
  • 還行

曾經(jīng)不想讓別人知道自己的男友是個(gè)收垃圾的工人,如今,與男友一同坐在垃圾車?yán)?,臉上卻閃爍著充滿幸福的笑容。愛情是無產(chǎn)階級(jí)僅剩的驕傲。【聯(lián)合國教科文組織】 芬蘭影史十五佳NO.14

45分鐘前
  • 有心打擾
  • 還行

太喜歡了,是那種拿出手機(jī)備忘錄記筆記的喜歡,對無產(chǎn)階級(jí)的孤獨(dú)感刻畫沒有流于俗套,而是非常地冷峻和輕巧。

50分鐘前
  • 皮格馬利翁
  • 力薦

順著作品年表開始看阿基,有點(diǎn)理解為什么仁科喜歡這個(gè)導(dǎo)演,確實(shí)很戳文藝青年的點(diǎn)。

53分鐘前
  • 子夜吳歌
  • 還行

“無產(chǎn)階級(jí)三部曲”第一部。聽了張大磊的推薦來看,還真是相當(dāng)動(dòng)人??祭锼柜R基的體系太強(qiáng)大,以至于他的這種高度限制的表演方式(絕對可以順到德萊葉-小津-布列松的體系里,反而不是塔蒂-羅伊安德森-蘇雷曼這個(gè)體系……)與其實(shí)有些離奇的情節(jié)在體系里非常自洽。對孤獨(dú)感的刻畫真是入木三分(別忘了這片其實(shí)是個(gè)風(fēng)格獨(dú)特的情節(jié)劇啊,差點(diǎn)還走向黑色電影)。開頭垃圾車的段落真是漂亮(一瞬間穿到肯洛奇-達(dá)內(nèi)那兒)。剪輯風(fēng)格干脆利落,居然都不留氣口……

54分鐘前
  • 胤祥
  • 推薦

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