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對(duì)于家庭主婦克萊爾（米歇爾·菲佛 Michelle Pfeiffer 飾）來(lái)說(shuō)，家對(duì)她而言早已經(jīng)不是溫馨和安全的所在了。原來(lái)，最近家中發(fā)生了一些她無(wú)法解釋的事情，亦出現(xiàn)了一些讓她感到恐懼的影像，而當(dāng)她向丈夫諾曼（哈里森·福特 Harrison Ford 飾）發(fā)出求助信號(hào)的時(shí)候，諾曼并不相信妻子所說(shuō)的那些聽(tīng)上去無(wú)比荒唐的話語(yǔ)。
發(fā)生的更多怪事讓克萊爾堅(jiān)信，有一個(gè)幽靈侵入了她平靜正常的生活，而那個(gè)神出鬼沒(méi)的幽靈似乎有求于克萊爾。隨著時(shí)間的流逝，幽靈的真實(shí)身份漸漸浮出水面，而讓克萊爾吃驚的是，這個(gè)幽靈竟和自己的丈夫諾曼有著絲絲縷縷的聯(lián)系。幽靈究竟想要怎樣？丈夫是否如表面上看上去的那樣清白？透過(guò)心中的迷霧，克萊爾似乎明白了什么。
長(zhǎng)篇影評(píng)
1 ) 致命謊言
2 ) 多年相愛(ài)，不如謊言傷害
覺(jué)得同一個(gè)人演繹兩個(gè)完全相反的丈夫角色，更能看出哈里森的功力
《亡命天涯》故事發(fā)展的過(guò)程高潮起伏，但終章有些過(guò)于單薄
而《謊言背后》則是平淡中漸漸積蓄爆發(fā)的能量，到最后丈夫殺意迸發(fā)的那一段讓我的心臟承受了極大的沖擊
兜兜轉(zhuǎn)轉(zhuǎn)
原來(lái)這個(gè)和妻子美滿幸福的男人對(duì)于他們的婚姻有諸多不滿和憤怒
原來(lái)他瞞著她與年輕女孩有一段婚外情
原來(lái)他犯下重罪
為自保，猙獰著曾軟語(yǔ)溫存的臉要置她于死地，窮追不舍，即使自己毀滅也要拉她陪葬
謊言重復(fù)千遍，依舊無(wú)法變成真實(shí)
所以伊麗莎白寂寂等在水底，不過(guò)就是要一個(gè)了結(jié)
于是有了那一枝躺在雪中鮮紅的玫瑰，那么無(wú)言的沉重
那是一段婚姻以不同凡響聳人聽(tīng)聞方式結(jié)束后留下的傷疤
所以最后她在雪地里的背影那么孤單而凄涼
那么多年的美滿和睦，卻以此作結(jié)
只有傷害才能讓人深刻，抵消了所有曾經(jīng)的美好甜蜜，不能用時(shí)間平復(fù)
這部片子，從一開(kāi)始看的時(shí)候是慢節(jié)奏的生活片，而后發(fā)展成懸疑推理片，進(jìn)而轉(zhuǎn)化成靈異片，最后變成驚悚片
看得覺(jué)得有些疲勞，故事的情節(jié)有些太過(guò)慢悠悠
哈里森福特的演技很出彩，所以四星不為過(guò)
《亡命天涯》的情節(jié)發(fā)展緊湊，哈里森福特和湯米里瓊斯都演繹出色，只是結(jié)局有些單薄蒼白，而且感覺(jué)上與經(jīng)典還是有所差距，所以只得四星
3 ) 一步錯(cuò)，滿盤皆落索
4 ) 真相的背后是欺騙
看完了片子我想說(shuō)婚外情的結(jié)局最終還是會(huì)走向終點(diǎn)，只是會(huì)以不同方式結(jié)束罷了，那個(gè)年輕的生命，那朵在大雪中的紅玫瑰，還有克萊爾的背影，都是這場(chǎng)婚外情帶給我的啟示，天下沒(méi)有不通風(fēng)的墻，看得出諾曼是愛(ài)克萊爾的，可一次致命的出軌抹殺了他作為一個(gè)標(biāo)準(zhǔn)丈夫的所有完美記錄，所以男人有時(shí)候不能走錯(cuò)一步，因?yàn)槟菍?huì)是另一個(gè)不歸路的開(kāi)始。
5 ) 謊言背后不是鬼
6 ) 一個(gè)精神病患者怎樣找到真相呢？
The rhythm of Robert Zemeckis’s movie is superb. Which gives the movies a lot of power and meaning. Rhythm in life is more than half of the meaning. Every moment of your life is an opportunity to enjoy the rhythm. Even the absolute mundane can be meaningful given the right rhythm.
Always remember: life is not about what we do, but how we do it. The purpose of life is to do things with a rhythm, not to necessarily accomplish certain things.
The story is essentially about how a woman seeks the truth about her past.
1. OPPORTUNITY is something happens to make the protagonist view everything from a different perspective.
2. CHANGE OF PLAN is when she takes initiative to seek the truth, including being forced to confront the truth by the husband. Just before POINT OF NO RETURN, she knows what is wrong by confronting with the neighbor.
3. At the POINT OF NO RETURN, she is reminded of her past and gets the identity of the ghost.
4. HIGH STAKES is when she goes to find the mother of the ghost and brings its hair home so that she can be hosted by the ghost. Then she remembers everything about her husband’s infidelity.
5. EVERYTHING IS LOST is when she has given up searching for the truth and burns the hair.
6. FINAL PUSH is when she brings the box from the lake and his husband shows who he really is.
Page 0Michelle in the tub, awakening from a bad dream.
Page 3Introduction of the daughter and the dog.
Page 4Introduction of the husband and the neighbor from afar arguing.
Page 5Sending the daughter to the university.
Page 6Couple alone in the bedroom. The perfect relationship. Sex competition with the neighbor.
Page 10Michelle alone in the house, looking at her old stuff, feeling overwhelmed, but doesn’t know why.
Page 13The wife next door is also crying and terrified of her husband, which worries Michelle so much that she asks Normal to check on the neighbor, who is also a professor. (THE EMOTIONAL OPPORTUNITY THAT CHANGES THE WAY THE PROTAGONIST LOOKS AT EVERYTHING.)
Page 15Discuss with Norman about her worry about wife next door.
Page 17Michelle finds a slipper with blood on it. Chat with her best friend who believes in psychic about her stress: a new house, sending daughter to college and also the car accident.
Page 19At night, Michelle spots suspicious activity of the neighbor carrying a body.
Page 21Something suspicious about the door. The dog also acts funny and she finds a body in the lake. (THE SERIES OF EVENTS MAKE THE PROTAGONIST CONNECT THE NEIGHBOR WITH THE GHOST)
Page 24The stereo is turned on by itself, which freaks her so much that she goes to see Normal in the office, where she overhears the drug that renders mammon immobile.
Page 26 Discussion about Normal’s finding about the new neighbor.
Page 27Weird door stuff again. This time it breaks the photo frame.
Page 29Michelle sees the car leaving and she goes to visit the neighbor again, only to be greeted by the cold and evasive husband.
Page 32Michelle’s peeping on the husband is spotted by the neighbor. This is definitely a drastic behavior for somebody like Michelle. (CHANGE OF PLAN AS THE PROTAGONIST TAKES INITIATIVE TO LOOK FOR THE ANSWERS)
Page 33Going to dinner with Normal. Crossing the bridge. (Get the audience used to the idea of cell phone reception.)
Page 35Talking about how they meet and Michelle’s back story. Also the haunting stuff Michelle has been experiencing. The husband is forcing Michelle to face her fear directly.
Page 38Michelle finds a mysterious key under the floor after fixing the picture frame. But she couldn’t find where to use it.
Page 40Michelle finds a ghost in the tub water. And she goes to see a shrink.
Page 43Heeding the shrink’s advice, Michelle gets a wiji board in order to communicate with the ghost. (CONNECTING WITH THE GHOST IS THE CONTINUITY OF CONNECTING WITH THE NEIGHBOR)
Page 50After her friend left, the ghost again tries to communicate with her and telling her initials on the computer, which is the same as the neighbor.
Page 51Michelle goes to see his husband in the office again, which makes the husband angry.
Page 52Michelle confronts the neighbor in the university only to find out that she is completely wrong about who the ghost is.
Page 54Michelle admits to the shrink that she was wrong.
Page 55Neighbor Mary comes to visit Michelle to apologize the wrong impression she gave her and all the misunderstanding has been resolved.
Page 58On the party, an old lady friend reminded her about how she got into the car accident a year ago. (It is the EMOTIONAL POINT OF NO RETURN because she starts to remember her past and she starts to investigate her own past instead of the neighbor.)
Page 60The picture frame is broken again and the article on the back of the picture tells her about a missing girl. And she is able to find the exact identity of the ghost. (PHYSICAL POINT OF NO RETURN AS THERE IS NO WAY THAT SHE IS GOING TO STOP INVESTIGATING NOW. YOU CAN JUST SEE FROM HER EYES THAT SHE KNOWS THAT SHE IS RIGHT.)
Page 62Discussion with the husband about her new finding. Although her husband is skeptical, she is sure about herself.
Page 63Michelle goes to visit the missing girl’s mother.
Page 66Michelle steals the girl’s hair from her room.
Page 68Michelle’s eyes turn green and starts to seduce Norman.
Page 72Michelle loses the hair and begins to remember how she finds Norman having an affair with the girl and how she got into the car accident.
Page 75Michelle talks about the truth of the past with her best friend.
Page 77Michelle finds out Normal being electrocuted in the bathtub after coming home. She thought it was her fault to bring all this because she brought the hair home.
Page 79Normal confesses to her about his infidelity.
Page 83Normal calls an expert to investigate on the ghost until he sees Michelle goes to the lake.
Page 86Normal rescues her from the lake, where Michelle sees a box. They burn the hair.
Page 88Michelle starts playing music again and she can feel that the ghost is gone. Normal pleads with Michelle, who forgives him. They go sailing to let the audience get used to the idea that they have a boat. (EVERYTHING IS LOST FOR THE PROTAGONIST BECAUSE SHE HAS GIVEN UP SEEKING THE TRUTH)
Page 90Taking a bath, only to find the key again, which leads her to Adamant, where she sees that the key is to a box that she saw in the lake.
Page 93Michelle gets the box from the lake, only to find the necklace of the ghost.
Page 94Normal tells Michelle how the girl died and asks for her forgiveness. But she insists on calling the police.
Page 100Normal drugs Michelle and tries to drown her in the tub when she finds out that he didn’t call.
Page 106Normal hits his head when he sees the ghost when he tries to take the necklace off Michelle’s neck.
Page 110Michelle saves herself and regains mobility just before she is drowned in the bath tub.
Page 116Michelle gets out of the house, drives the car with the boat and runs. At the middle of the bridge, she calls the police once she gets signal until she is attacked by Normal.
Page 120Normal tries to drown Michelle again only to be pulled down by the ghost that was struck out by the boat stick.
一個(gè)億的投資花在哪里啦？演員的粉底還是煙餅呀？不知道美國(guó)編劇折磨中產(chǎn)階級(jí)中年獨(dú)女的習(xí)慣是什么時(shí)候開(kāi)始的。
你在開(kāi)玩笑嗎......
懸念的鋪設(shè)和結(jié)尾較為容易猜想到的走向都是沒(méi)有太多驚喜的，倒是本片中各種鏡頭語(yǔ)言的運(yùn)用確實(shí)是很多恐怖類型的片子可以好好學(xué)學(xué)的。高潮部分女主的尖叫和最后尸體還魂的確鑿其實(shí)并沒(méi)有必要，回歸心理精神照樣能說(shuō)好故事。
最討厭戴著懸疑的帽子，拍的鬼片了。
很久以前看的了。比較平庸，沒(méi)啥不好也沒(méi)啥好。。。
輪番進(jìn)來(lái)吃東西，聊天，看的三心二意的
7.0/10 分。節(jié)奏緩慢，所有的精彩都在最后十分鐘。。。
導(dǎo)演是戀足癖嗎？這片子菲佛的腳部特寫未免太多了吧？?jī)蓚€(gè)主角都發(fā)揮出色，就是這劇情有點(diǎn)滑稽，嚇人的點(diǎn)過(guò)于依賴一驚一乍的音效，但有幾個(gè)利用特效/光影制造的鏡頭還是很驚喜的，譬如菲佛在浴缸乍變死尸臉還有福特在車子后面陰影中突然冒出。75
這個(gè)片子其實(shí)可以不用鬼來(lái)做主題，進(jìn)懸疑的部分加劇情就可以成為一部經(jīng)典。哈里森福特的演技絕贊，調(diào)查過(guò)程安排也不錯(cuò)。女主的失憶和項(xiàng)鏈盒子等等，都是環(huán)環(huán)相扣，很好的片子。
很hitchcock，特別是浴室求生一場(chǎng)的剪輯。鄰家女人的線索僅作為隱喻，在這種類型影片中不常見(jiàn)，一般往往會(huì)發(fā)展成一個(gè)關(guān)鍵情節(jié)。但我反而很喜歡這樣的設(shè)置。
居然還惦記上人家女兒了 禽獸阿
鬼片就鬼片，能不能別扯恐怖片？本以為是正經(jīng)懸疑驚悚，好家伙看一半通靈都出來(lái)了。又長(zhǎng)又磨嘰，鄰居那條線就占了一半時(shí)長(zhǎng)結(jié)果只是個(gè)幌子，快一小時(shí)才進(jìn)入正題。節(jié)奏感太差
6/10。揭示真相版《深閨疑云》，夫妻間的莫名猜疑與典型的線索追蹤電影混合而成，導(dǎo)演沒(méi)少偷師希胖，對(duì)幽藍(lán)光的運(yùn)用、動(dòng)作復(fù)雜的攝影機(jī)轉(zhuǎn)場(chǎng)、懸疑景別的設(shè)置（浴缸快溺的交叉剪輯、撿電話的低角度）。但謎底并沒(méi)指向希胖鐘愛(ài)的雙重人格，而是順應(yīng)了《第六感》后人鬼殊途的潮流。整體沒(méi)新意，不看也罷。
不知是不是因?yàn)楫?dāng)時(shí)教室的音效好，是我至今看過(guò)的最恐怖的影片了
幾段浴室戲挺搶眼的，呼吸都快停止了。故事在米歇爾最后浴室掙脫到此多好，非得后面加一段血債血償。福特演反派確實(shí)挺意外。多年之后再看覺(jué)得前面有些冗長(zhǎng)沒(méi)必要。
很多年前的了，當(dāng)年看的時(shí)候，那個(gè)時(shí)代，這部片子絕對(duì)值5星，現(xiàn)在大家口味重了，這部很經(jīng)典
一部很好的電影，菲佛和福特的表演很到位，原來(lái)福特也可以飾演這種角色。。
經(jīng)典，我喜歡的女演員，技術(shù)上太值得學(xué)習(xí)了
還行吧，鄰居太太那段太牽強(qiáng)了吧，強(qiáng)行讓女主以為鄰居殺人，感覺(jué)直接從浴缸見(jiàn)鬼影那里開(kāi)始也行。大部分驚悚鏡頭都能預(yù)料到，不過(guò)最后那里挺緊張的，感覺(jué)冥冥之中一切都已經(jīng)被女鬼安排好了
讓哈里森福特演個(gè)殺人犯有點(diǎn)過(guò)分。他那么帥那么迷人。哈哈哈哈。這部電影當(dāng)年看的時(shí)候嚇壞我了?？梢哉f(shuō)又是恐怖片又是鬼片。女主應(yīng)該不愛(ài)老公吧。從頭到尾都在質(zhì)疑懷疑老公殺了人。我還一直以為是她錯(cuò)怪了老公。聽(tīng)說(shuō)這部電影是羅伯特澤米吉斯拍攝荒島余生期間抽空拍的。大導(dǎo)演就是牛。隨便拍的電影都這么驚悚嚇人。