真實(shí)的簡(jiǎn)·奧斯汀
主演：Anna Chancellor Gillian Kearney Jack Davenport Phyllis Logan Oliver Chris Lucy Cohu
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Jane Austen remains one of the greatest writers of all time. Almost two hundred years after her death, her novels such as “Pride and Prejudice” and “Mansfield Park” continue to entrance generations of readers the world over. This film shatters any assumption that Austen herself lived the elegant Regency life of her financially comfortable heroines who ultimately find their true love.
Instead it reveals the real Jane Austen as part of strata of Regency society much crueller in its treatment of women and harsher in its economic realities than her novels and their current television adaptations convey. And it discovers a woman more tragic in her own personal love life who does not enjoy the “happy ending” that she bestows upon her own female characters.
Through readings and dramatic reconstructions, The Real Jane Austen pieces together the reality of Austen’s existence her modest upbringing in Hampshire as one of seven children of a clergyman; her disappointment in love; and the family’s poverty following the death of her father.
Through her writing Jane found financial independence without having to marry. Tragically only four years later in July 1817 while writing “Persuasion” Jane Austen died.
Filmed in locations associated with Austen including Jane’s birth place of Steventon and her later home in Chawton, and illustrated with extracts from film and television adaptations of Austen’s work, The Real Austen paints a vivid portrait of one of the greatest talents in English literature.
長(zhǎng)篇影評(píng)
1 ) The Real Jane Austen
About cast:
Drama-documentary exploring the life of Jane Austen. Actor Anna Chancellor, a distant relative of
該戲劇式紀(jì)錄片探索了簡(jiǎn)·奧斯汀的一生。女演員Anna Chancellor作為簡(jiǎn)·奧斯汀的遠(yuǎn)親，她通過
Jane Austen, discovers the woman behind the acclaimed novels through readings and
大量讀物和重塑發(fā)現(xiàn)了那個(gè)一直默默站在飽受贊譽(yù)的小說背后的女人。
reconstructions. Location shots of her homes in Steventon and Chawton and extracts from
影片的拍攝地點(diǎn)分別位于簡(jiǎn)·奧斯汀在Steventon（是簡(jiǎn)·奧斯汀創(chuàng)作《傲慢與偏見》的地方）和adaptations of her work are also featured.
Chawton（簡(jiǎn)·奧斯汀度過她最后的8年的地方）的家中，并且那些關(guān)于她工作的改編本中摘取的摘要也同樣起著至關(guān)重要的作用。
The Real Jane Austen : Trivia
紀(jì)錄片“真實(shí)的簡(jiǎn)·奧斯汀”中的趣聞瑣事
The tan and black gown with striped sleeves and black crepe bow on the bodice
劇中褐色和黑色的長(zhǎng)袍被剝?nèi)チ诵渥樱琖endy Craig（Lefroy夫人）所穿的黑色縐紗緊身
worn by Wendy Craig (Mrs.Lefroy) is the same costume worn by Penny Do
上衣與Penny Downie（Judith Milbanke小姐）在電影“拜倫”中Annabella返回她父母
(Lady Judith Milbanke) at dinner after Annabella returns to her parents' house in
家后晚餐那一幕的戲服是同一件。 Francesca Annis（Ludlow小姐）也同樣在英劇“克蘭
"Byron", Francesca Annis (Lady Ludlow) wears in "Cranford", Gemma Jones 弗德”穿過，同樣Gemma(Mrs. Dashwood)Jones（Dashwood夫人）也在“理智與情感”
wears playing cards at Barton Park in "Sense and Sensibility",
中在巴頓公園玩牌的那一幕穿過它，Jemma Redgrave（Bertram小姐）將這身衣服作為
Jemma Redgrave (Lady Bertram) wears in the final scene in "Mansfield Park",
了“曼斯菲爾德莊園”最后一幕的戲服，
and Rosemary Enright wears at dinner in "The Regency House Party". Rosemary Enright在“攝政統(tǒng)治家庭聚會(huì)”中的晚宴上也穿過,
The costume is also worn by an extra at the Netherfield Ball in "Pride & Prejudice".
這一套戲服也同樣在“傲慢與偏見”中被一位臨時(shí)演員在尼日斐舞會(huì)上穿過。
The red print gown worn by Catherine Bigg is the same costume worn by Susan
Catherine Bigg所穿的紅色印花布禮服與Susan Fleetwood（拉塞爾小姐)在“勸導(dǎo)”
Fleetwood (Lady Russell) at the party at Camden Place in "Persuasion", Sheila
中卡姆登廣場(chǎng)的聚會(huì)上所穿的是同一件戲服，在“曼斯菲爾德莊園”中當(dāng) Fanny 大聲
Gish(Mrs.Norris) while Fanny reads the newspaper aloud in "Mansfield Park", a
讀報(bào)紙的那一幕中Sheila Gish（諾里斯夫人）也穿了這一件，
guest at a London ball in "Byron", Elizabeth Devonport to dinner in "The Regency
英劇“拜倫”中一位賓客在倫敦舞會(huì)上也同樣身穿此衣， Elizabeth Devonport 在“攝政
House Party", Hayley Atwell (Mary Crawford) in "Mansfield Park", Daisy Haggard
統(tǒng)治家庭聚會(huì)”中晚餐過程中穿過，同樣英劇“曼斯菲爾德莊園”中Hayley Atwell（Mary
(Anne Steele) to the London ball in "Sense & Sensibility", and Alex Kingston
Crawford）也穿過，Daisy Haggard (Anne Steele)在英劇“理智與情感”中參加倫敦舞會(huì)穿了
(Mrs.Bennet) in "Lost in Austen".
它，不僅如此Alex Kingston（本尼特夫人）在“迷失奧斯汀”中也穿過。
-------松鼠字幕 Ivy2303 譯
2 ) The greatness of Jane Austen
Jane Austen changed all that.
Great writers take us by surprise. Never married, never rich, Jane Austen wrote with precision and passion of dream lovers and brilliant marriages. She armed her herorines with wit and courage to take on a world ruled by men and money.
As she did, she herself, a women, single and poor, became one of the world’s great novelists.
3 ) The Real Jane Austen《真實(shí)的簡(jiǎn)·奧斯汀》
簡(jiǎn)·奧斯汀是有史以來最偉大的作家之一。在她去世將近200年后，她的小說（如《傲慢與偏見》和《曼斯菲爾德莊園》）依舊遍及世界各地，吸引著一代又一代的讀者?！墩鎸?shí)的簡(jiǎn)·奧斯汀》這部電影粉碎了人們對(duì)奧斯汀的一系列猜測(cè) — 她本人并非與她筆下的女主人公一般，生活在優(yōu)雅的攝政時(shí)期，出生名貴、生活舒適，并且最終找到了自己的真愛。
Jane Austen remains one of the greatest writers of all time. Almost two hundred years after her death, her novels such as “Pride and Prejudice”and “Mansfield Park” continue to entrance generations of readers the world over. This film shatters any assumption that Austen herself lived the elegant Regency life of her financially comfortable heroines who ultimately find their true love.
相反，它向我們展示了真實(shí)的簡(jiǎn)·奧斯汀。相比她小說中的描述和當(dāng)前影視的改編傳達(dá)，在她所生活的攝政社會(huì)階層，人們對(duì)待女性的態(tài)度更為殘酷，當(dāng)時(shí)的經(jīng)濟(jì)現(xiàn)實(shí)也更為嚴(yán)峻。這部電影向我們展示了奧斯汀悲慘的個(gè)人感情生活，即她本人并沒有享受到她的女主人公們的“圓滿結(jié)局”。
Instead it reveals the real Jane Austen as part of strata of Regency society much crueller in its treatment of women and harsher in its economic realities than her novels and their current television adaptations convey. And it discovers a woman more tragic in her own personal love life who does not enjoy the “happy ending” that she bestows upon her own female characters.
通過解讀和戲劇性的重組，《真實(shí)的簡(jiǎn)·奧斯汀》完美地拼湊了奧斯汀的現(xiàn)實(shí)生活，其中包括她作為一個(gè)牧師的七個(gè)孩子之一在漢普郡受到良好教育的片段，還包括她對(duì)愛情失望以及她父親死后家境衰退的片段。
Through readings and dramatic reconstructions, The Real Jane Austen pieces together the reality of Austen’s existence her modest upbringing in Hampshire as one of seven children of a clergyman; her disappointment in love; and the family’s poverty following the death of her father.
通過寫作，簡(jiǎn)不必結(jié)婚，就實(shí)現(xiàn)了經(jīng)濟(jì)上的獨(dú)立?？杀氖莾H僅四年后（1817年7月），簡(jiǎn)·奧斯汀去世了，那時(shí)她在寫《勸導(dǎo)》。
Through her writing Jane found financial independence without having to marry. Tragically only four years later in July 1817 while writing “Persuasion” Jane Austen died.
《真實(shí)的簡(jiǎn)·奧斯汀》的拍攝地點(diǎn)與奧斯汀的出生地史蒂文頓以及她后來的居住地查頓密切相關(guān)，該片還從奧斯汀的作品的影視改編中引例，《真實(shí)的簡(jiǎn)·奧斯汀》描繪了英國(guó)文學(xué)中最偉大的才子之一的生動(dòng)寫照。
Filmed in locations associated with Austen including Jane’s birth place of Steventon and her later home in Chawton, and illustrated with extracts from film and television adaptations of Austen’s work, The Real Austen paints a vivid portrait of one of the greatest talents in English literature.
--松鼠字幕組 橙子 譯
4 ) 對(duì)抗意味不自由
不要擰巴。
5 ) 理想與現(xiàn)實(shí)的差距
我多么希望簡(jiǎn)可以遇到一個(gè)Mr.Darcy或者M(jìn)r.knightly.她應(yīng)該得到一份完美的愛情?？墒撬粫?huì)，可能這個(gè)世界上也不會(huì)有Darcy或者Knightly。雖然技術(shù)在進(jìn)展，世界在變化，可是門當(dāng)戶對(duì)，社會(huì)地位的觀念難道不是根深蒂固的植根于每一個(gè)社會(huì)中嗎？確實(shí)，大家都會(huì)斥之為庸俗，可這是現(xiàn)實(shí)，難以改變的現(xiàn)實(shí)。只有有一天，當(dāng)社會(huì)財(cái)富多到人人都不再為之拼搏的時(shí)候，真正的純粹的愛情才會(huì)出現(xiàn)。
許多個(gè)馨暖的午后與寂冷的深夜，那個(gè)孤獨(dú)而靈慧的女子靜靜地展開書卷，用那支素白的鵝毛筆描繪她想象中的愛情故事，每個(gè)故事都喜劇結(jié)尾，而她自己的卻是個(gè)悲劇。
JA家人講述的她的經(jīng)歷。有意思。但是不太喜歡這個(gè)節(jié)目的標(biāo)題。難道家族后人就比別人更有權(quán)威講述她的“真實(shí)”一面了？
又想有高貴的情操，又不想變成poor unmarried man，我真是想太多了。
不管是哪個(gè)年代，作出不婚的決定都是孤獨(dú)的?？赐曛挥X得這個(gè)世界沒有太多改變。而能有一件喜歡的事情，可以一直做下去，才是人生最大的快樂
#公開探索BBC# 229 看哭了。父母兄弟們都很暖,還有一直相伴同樣終身未婚的姐姐卡珊德拉,所以她筆下的姐姐們也都善良美好得到幸福呢！至少生前有4部書出版,并取得巨大成功。充斥著舞會(huì)的巴斯歲月竟然是段痛苦時(shí)光,各色人等不正是汲取寫作靈感的好素材嗎?我想因?yàn)樗钌钣X得這是被趕出家門強(qiáng)行推上婚姻市場(chǎng)吧。39歲身體抱恙,享年41,推測(cè)病因是至今難治愈的淋巴癌,不算是被當(dāng)時(shí)的亂七八糟醫(yī)療知識(shí)禍害了,這么想想還好過點(diǎn)兒。枕在最親愛的姐姐膝上離世,墓碑沒有記載她的偉大成就,一個(gè)充滿智慧的獨(dú)立女性畢竟太超越于攝政王時(shí)代。豆瓣沒演員表真是捉急，主持人是95版P&P的賓格萊小姐(飾演各色配角每次都有彩的一位),她還是奧斯汀家族后裔啊！也正因如此,想問,這呈現(xiàn)的家族關(guān)系一片祥和真的 真實(shí) 嗎？
hin煽情了，而且用詞也比較容易理解。比舞會(huì)那一個(gè)滿口專業(yè)術(shù)語和各種高大上的奇怪口音要親民多了……
Anna Chancellor你竟然是Austen家族的后人?。。?！
這個(gè)紀(jì)錄片的記敘方式有點(diǎn)像現(xiàn)在被廣泛議論的《黃金時(shí)代》，古代與現(xiàn)代雙線交織營(yíng)造出間離效果，通過各處搜羅來的資料和不同的表達(dá)方式還原和再現(xiàn)簡(jiǎn)·奧斯丁的生平。人們總愿意將奧斯丁的生平想象成和她筆下的故事一樣傳奇，但缺乏資料，一切只能是推測(cè)。很多唐家屯的演員在啊，Mrs.Hughes很年輕。
Jane果然炒雞討厭Bath。真是個(gè)少女心爆棚的獨(dú)立女子放現(xiàn)在也是好姑娘。演她母親的是唐家屯的Mrs Hughes簡(jiǎn)直太出戲了。
難以想象這是02年的紀(jì)錄片，大牌云集，走進(jìn)真實(shí)的奧斯汀世界。
隱隱戳了一下Jane過繼長(zhǎng)兄Edward在父親去世后對(duì)母姐不聞不問的事，但不明顯，忽略過去幾乎不覺。其實(shí)Jane生活并不平穩(wěn)，父親患病開始數(shù)次搬家，一次比一次差，后期更是看兄嫂面色做人，但關(guān)于她的紀(jì)錄片較少提到這點(diǎn)，Edward的聲音很少出現(xiàn)，其實(shí)很值得挖掘和玩味。
終身未婚，一生貧困，死于疾病。
紀(jì)錄片原來還可以這么拍……
【演員很到位，讓人從感性和理性上對(duì)那個(gè)人了解地更多
解說詞寫得真好，而且敘述方式很贊。
她的紅木寫作臺(tái)。家里人不反對(duì)她看書閱讀。關(guān)于那個(gè)響著的門，她不修，不讓任何外人發(fā)覺她在寫作（很早就讀過反復(fù)讀到過的一段）。姐妹的情誼，終身未婚的兩姐妹，早逝的她，讓姐妹燒掉信件的她。在那個(gè)女性不能受教育（女校教的那些不算教育）的時(shí)代，不能保有財(cái)產(chǎn)的時(shí)代，她看到了婚姻真相，然而有些人類到了互聯(lián)網(wǎng)時(shí)代，有那么多文本可閱讀的時(shí)代，還看不到她所看到的呢。所以她是唯一的永遠(yuǎn)的簡(jiǎn)奧斯丁。補(bǔ)充閱讀，繁體版大腦里的珍奧斯?。ńo盛贊她的角度奇特的作者點(diǎn)贊）
演員情景再現(xiàn)的部分還蠻棒的，里面穿插影視作品的部分也很不錯(cuò)，而且JackDavennport出來的時(shí)候有彈幕蘭斯洛特的地方真是笑死我了wwwwwww說到底JaneAusten還是個(gè)選擇愛的女人，好在她還有寫作的天賦，不然生活將多么凄苦。不過真這樣也不會(huì)有這種想法了吧……
沒提在devon遇到的心動(dòng)卻很快病逝的男士。。
在《傲慢與偏見》出版同年的一封家信中，她說：“我狂野不羈，是因?yàn)槲也荒茏灾?。這不是我的錯(cuò)。”射手座的性格，凸現(xiàn)其中。《三聯(lián)生活周刊》“簡(jiǎn)·奧斯汀在這個(gè)時(shí)代的IP” Tom Lefloy真愛Dublin Law Degree Lord, Chief Justice of Ireland. Harris Bigg in Hampshire求婚者Oxford.
很細(xì)膩，溫和，平淡的紀(jì)錄片，質(zhì)樸而真實(shí)。簡(jiǎn)奧斯汀生于一個(gè)普通的牧師家庭，因?yàn)榧抑卸嘧佣毨?，她早年的生活雖拮據(jù)但也有著自己的小幸福：閱讀。因?yàn)槭〉膽賽鄱度雽懽?，從此一發(fā)不可收拾。她一生貧困但她安于此，她聰敏而感情豐富，內(nèi)心細(xì)膩，她厭惡燈紅酒綠的社交生活。她是一位優(yōu)雅的女隱士。