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ANDRZEJ WAJDA: LET'S SHOOT! is an extraordinary record of a few months of struggle on the set, showing an atmosphere of work and a picture of immense film machinery, and at same time presenting the truest and intimate portrait of the Master of Polish Cinema, the Oscar winner. In 1957 Andrzej Wajda won the Silver Palm in Cannes for his film 'Canal', along with 'Seventh seal' by Ingmar Bergman. We meet him 50 years later, as the author of many important films, such as 'Ashes and Diamonds', 'Man of Marble' or 'Danton', now directing one the most important films in his career, 'Katyń', about the massacre in which thousands of Polish officers, including Wajda's father, were murdered by the Soviets, during World War II - a tragedy left unspoken for decades.
達(dá)爺表情豐富，激素分泌旺盛，看監(jiān)的時候緊張的像個考0分的傻蛋
看了瓦伊達(dá)的《下水道》被徹底折服。沒想到他也是個愛在片場生悶氣的暴君??！
太難了。
瓦伊達(dá) 《卡廷慘案》幕后紀(jì)錄
瓦伊達(dá)真是一個可愛的暴躁老頭。
笑死，小孩和他合影，沒想到這么大陣仗，嚇壞小朋友。啊難道我們已經(jīng)發(fā)展到那種程度了，我必須在家里看他們的工作，哦不是啊，真讓我松一口氣。哈哈哈哈哈哈哈。選題和選演員。
捕捉的老頭子太生動了，挑剔又火爆
一個紀(jì)錄片導(dǎo)演能在片場拍到多少絕妙的畫面與故事，取決于敏銳的洞察力，《卡廷慘案》電影的紀(jì)錄片導(dǎo)演做到了，尤其是瓦伊達(dá)各種專注的表情捕捉。監(jiān)視器畫面前的瓦伊達(dá)太可愛了。
脾氣暴躁的老頭兒，但也超級溫暖了，電影成功了是大家通力合作的功勞，有了合作才會有好的電影，否則失敗就是自己的鍋了，沒有選好題材，沒有選好演員。這么一看最近的也是，一部電影題材真的很重要。
你做導(dǎo)演就要一輩子有自覺意識 哎 那種對語言溝通手段的無力感
攝于《卡廷慘案》片場，自制中字subhd/B站在線已發(fā)布：BV1ds411j7Ub ，點擊就看瓦伊達(dá)這暴脾氣2333333
脾氣火爆的可愛老頭 我好愛他
《卡廷慘案》為什么會搜不到
補
跟大師學(xué)拍片，脾氣火爆有掉鏈子的劇組工作人員一半功勞。跟小演員合影都要打光，講究!看監(jiān)視器表情蜜汁豐富，哈哈哈!
“人是最難處理的材料”
監(jiān)視器前怒噴小女孩“臺詞好差，差到胃痛”，回頭小女孩邀他合影則盡力拍張最好的，甚至搬來燈光師，老爺子在片場時而猙獰，時而頑皮。原來他父親是卡庭摻案遇難的波蘭軍官之一。
感謝維哥字幕~
安杰伊·瓦伊達(dá)在《卡廷慘案》片場，看看大師是怎么工作的
《卡廷慘案》現(xiàn)場記錄，老爺爺盯片場的表情很逗