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劇照
更新時(shí)間：2023-08-10 18:58
詳細(xì)劇情
Lois Ames is devoted to her job as the editor of a magazine, and her wealthy husband Fred is equally dedicated to polo and parties. Lois's long hours drive her secretary to quit, and she replaces her with Tom Sheridan, who happens to be in the office demonstrating a rowing machine. Tom likes the work and continues to advance until he is indispensable to Lois. Ruth Holman, Tom's fiancée, is jealous of Tom's relationship with Lois and with some reason, as he is falling in love with her. In the meantime, Fred is having an affair with Ann Le Maire, a woman whose interests are closer to his own. Because he feels his love for Lois is hopeless, Tom quits his job and plans his marriage to Ruth. Lois tries to patch things up with Fred, but he suggests that they divorce instead. On Tom's last night, Lois keeps him working late. Ruth is furious and storms up to the office where Lois and Tom are dining. She threatens to tell Lois's husband about their relationship, which leaves the way clear for Lois to announce her pending divorce. Ruth breaks off her engagement to Tom, and he immediately asks Lois to marry him.
這六十分鐘好痛快。上個(gè)世紀(jì)三十年代的故事里已經(jīng)有干練的職業(yè)女性拋棄了移情別戀的丈夫，而選擇和工作能力出眾的男秘書(shū)走到了一起，不能說(shuō)不大膽。即使只有六十分鐘，五個(gè)主要人物的形象卻鮮活各異，劇情發(fā)展不拖泥帶水，不黏糊曖昧，比現(xiàn)在好多作品都更直接，更簡(jiǎn)潔，一句話就是觀眾在故事里情感訴求充分的得到了滿足！
3.5星，別樣的婚姻別樣的夫妻，雙方都自由各有各的生活表面看很美好卻不出意料的走向了關(guān)系的瓦解。。。而女老板和男秘書(shū)的故事最終走向了幸福也是個(gè)很大膽的結(jié)局。。。在短短六十幾分鐘的片長(zhǎng)里各種情感的描述都相當(dāng)?shù)募?xì)膩傳神，尤其是某些小細(xì)節(jié)。。。
毀三觀
婚姻條約就是用來(lái)毀的。
片子三星，加一星給Kay Francis
目瞪口呆.jpg。。。威廉·迪亞特爾這導(dǎo)演的片都還值得一看
海斯法典之前毀三觀的電影，婚姻根本沒(méi)有忠誠(chéng)可言
2014.05.31
法典就是用來(lái)破壞的，別人沒(méi)想到的它都想到了...
好嗑
Kay Francis is the epitome of upper class women in Pre-code era, and these early works of Dieterle are much more interesting than his later, so called prestigious works...
凱.弗朗西斯的演技不錯(cuò)??，長(zhǎng)得很有特點(diǎn)。
kay身為30年代華納一姐，還是有點(diǎn)風(fēng)采的。雖然不喜歡她的長(zhǎng)相。
8373
身份錯(cuò)位的愛(ài)情輕喜劇，在20世紀(jì)30年代「獨(dú)立女性」的標(biāo)桿而言，如今的女性主義反而退步了，當(dāng)然從當(dāng)時(shí)的男權(quán)社會(huì)而言，這樣的設(shè)定不過(guò)是另一種喜劇模式中的「反差感」，不能當(dāng)一回事。
30年代美國(guó)是不是迎來(lái)了一波性解放？
劇情真是毀三觀啊，當(dāng)年的華納的前法典電影，常常為了出格而出格，弄出許多不羈的劇情，現(xiàn)在看會(huì)覺(jué)得很自由，當(dāng)年泛濫著，視線可能都放在其他地方了，值得一提的是該片女主，凱弗朗西斯，是當(dāng)年華納收入最高的女演員。
無(wú)聊的通俗劇 非常soso
如果沒(méi)有未婚妻這條線，會(huì)很喜歡這個(gè)故事。30年代的事業(yè)女性，和upper class的紈绔丈夫分道揚(yáng)鑣，轉(zhuǎn)而和同樣事業(yè)型的男秘書(shū)走到一起，前衛(wèi)。
簡(jiǎn)短 節(jié)奏不拖沓 丈夫出軌的職業(yè)女強(qiáng)人 不愛(ài)的未婚妻的男秘書(shū) 哈佛畢業(yè)去賣體育器材 也是不多